Petra Collins Archives | Wonderland https://www.wonderlandmagazine.com/tag/petra-collins/ Wonderland is an international, independently published magazine offering a unique perspective on the best new and established talent across all popular culture: fashion, film, music and art. Wed, 25 Aug 2021 08:54:52 +0000 en-GB hourly 1 https://wordpress.org/?v=6.3.1 Olivia Rodrigo – “brutal” /2021/08/25/olivia-rodrigo-brutal-music-video/ Wed, 25 Aug 2021 08:40:34 +0000 https://www.wonderlandmagazine.com/?p=199436 An angsty pop sensation, the ultimate ode to teen movies and tear-filled livestreams: Olivia Rodrigo just dropped the visuals for “brutal”.

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An angsty pop sensation, the ultimate ode to teen movies and tear-filled livestreams: Olivia Rodrigo just dropped the visuals for “brutal”.

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Petra Collins Announces Spiral /2021/05/04/petra-collins-announces-spiral-selena-gomez-drake/ Tue, 04 May 2021 09:18:12 +0000 https://www.wonderlandmagazine.com/?p=189748 Petra Collins announces her directorial debut Spiral, a psychological thriller about social media influencing starring Selena Gomez with executive production from Drake.

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Petra Collins announces her directorial debut Spiral, a psychological thriller about social media influencing starring Selena Gomez with executive production from Drake.

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Fairy Tales /2021/04/06/alexa-demie-petra-collins-fairy-tales/ Tue, 06 Apr 2021 17:23:15 +0000 https://www.wonderlandmagazine.com/?p=187564 Alexa Demie x Petra Collins

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Alexa Demie x Petra Collins

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Coach × Selena Gomez /2017/08/09/coach-x-selena-gomez-2/ Wed, 09 Aug 2017 16:28:54 +0000 http://www.wonderlandmagazine.com/?p=117898 Ms. Gomez continues her bid for world domination as she makes her designer debut.

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Ms. Gomez continues her bid for world domination as she makes her designer debut.

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Kim Kardashian West /2016/09/23/kim-kardashian-west/ Fri, 23 Sep 2016 11:20:04 +0000 http://www.wonderlandmagazine.com/?p=79269 The post Kim Kardashian West appeared first on Wonderland.

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Georgia O’Keeffe Interpreted by Petra Collins /2016/07/19/georgia-okeeffe-interpreted-petra-collins/ Tue, 19 Jul 2016 12:01:12 +0000 http://www.wonderlandmagazine.com/?p=74976 Wonderland contributor and certified queen of dreamy aesthetics, Petra Collins interprets the work of Georgia O’Keeffe for the Tate Modern.

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Wonderland contributor and certified queen of dreamy aesthetics, Petra Collins interprets the work of Georgia O’Keeffe for the Tate Modern.

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Rowan /2016/03/02/rowan/ Wed, 02 Mar 2016 16:49:00 +0000 http://www.wonderlandmagazine.com/?p=66130 At 14, Rowan Blanchard is a Disney kid with a conscience. Ivory silk burlap and hemp jacket by DELPOZO, blue appliquéd denim jeans by MSGM and white acrylic sunglasses by UNIF It’s not often you feel like you’re getting schooled in life lessons by someone who’s barely entered adolescence, but Rowan Blanchard is no ordinary […]

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At 14, Rowan Blanchard is a Disney kid with a conscience.

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Ivory silk burlap and hemp jacket by DELPOZO, blue appliquéd denim jeans by MSGM and white acrylic sunglasses by UNIF

It’s not often you feel like you’re getting schooled in life lessons by someone who’s barely entered adolescence, but Rowan Blanchard is no ordinary teenager. Star of the Disney series Girl Meets World since 2014, these days Blanchard is also a writer, political activist and role model to some 3.5 million Instagram followers. At 14 — an age most of us were drinking cheap booze out the bottle in a park — Blanchard is busy reading the work of feminists like Gloria Steinem and Roxanne Gay, and articulately speaking out about gender equality everywhere from Twitter to the UN. The rest of the time, she assures me, she can be found dancing to Beyoncé in her bedroom. Song choices: ‘‘Flawless” for when she “needs to get in an egocentric mind set”, “Haunted” when she’s feeling “dramatic and intense”.

It’s easy to see how the LA-raised teenager has built such a huge legion of young, adoring fans; she’s honest, she’s personable, and she bravely engages with issues that matter. Following in the footsteps of other former Disney Channel stars Demi Lovato and Miley Cyrus, she has become a much-needed advocate for LGBTQ rights, and has recently tweeted that she identifies as queer herself. Back in December, she wrote a feminist essay on Rookie.com, run by her friend Tavi Gevinson, who Blanchard describes as “really delightful person and completely non-judgemental”. Titled “Sorry Not Sorry”, the essay charts Blanchard’s tendency to be over-apologetic — a bad habit that she sees as symptomatic of being female. “Adolescence, specifically girl adolescence, is confusing,” she writes. “I have treated, specifically, male feelings and ego as superior to and more fragile than my own.”

Over the phone from London to west LA, I ask Rowan why she decided to write about being Sorry Not Sorry.“I think I felt a need to write that piece because I was sick of apologising for things that I really shouldn’t be sorry for,” she says, with all the exasperation of someone in their 30s. “I see it now with my young sister and it scares me because I know at that age, when I was 12, I would literally spend 45 minutes putting on a whole face of make-up, when I really didn’t want to, but because I genuinely felt that if somebody saw me with my dark eye circles or a blackhead, that I’d risk offending them. You are supposed to say ‘I’m sorry’ for things that you’re not sorry for, especially to men. When I wrote the piece for Rookie it was kind of me trying to get other girls to start accepting themselves, but it was about me trying to get myself to stop apologising, too.”

Needless to say, the essay went viral. Whether it was Blanchard’s admission that, “What seems like the total end of the world, while valid, is not (usually) the end of the world in a week” – or her “know that you are enough for yourself” mantra – something in her words resonated with girls everywhere. Blanchard uses social media to put out similarly empowering messages; see Instagram for pics of her notepad, scrawled with things like “go and make things you’ve dreamed about” and “who cares what middle-aged men think”, bookended by cute selfies, naturally. In October, she even teamed up with Instagram for #MyStory: a campaign that encouraged young girls to discuss their personal experiences. Also involved were photographer Petra Collins, who shot Blanchard for Wonderland and artist Tatyana Fazlalizadeh, whose work tackles street harassment.

“I think social media is such a tool for people in my age group and such a tool for girls particularly. My mum started using Instagram and Twitter for me when I was like nine and, like, I had followers but I didn’t really know anything. I only started using Instagram and Twitter myself when I turned 12. I feel like that’s where I started finding things that affected me, particularly politics. I learned through social media that we often talk about America like it’s a totally equal place, but that’s not always the case. You think certain things happen in third-world countries or places that are really far away from where you live, but through social media I realised that things are happening right in front of me.”

Blanchard does confess that, although it’s a great place to educate yourself, having Instagram and Twitter accounts from such a young age can have its challenges, like — for example — the unfathomable pressure of having 3.5 million followers. “The thing that’s tough about it is that you’re subject to everybody else’s opinions when you didn’t necessarily ask for that,” she says, adding that this is something she feels happens to girls specifically.“The downside to social media is it’s another place for girls to be made fun of and another way for girls to be degraded; the upside is that it’s also a way for girls — especially girls of colour, for example — to speak out and to take back some control.”

I ask if there’s a time that Blanchard’s felt she’s come under abuse online and she doesn’t have to think for very long to come up with an example. In a series of tweets posted in January, Blanchard wrote: “In my life — only ever liked boys. However I personally don’t wanna label myself as straight, gay or whateva so I am not gonna give myself labels to stick with…” She followed up with: “Open to liking any gender in future is why I identify as queer.” The backlash against this admission surprised her — some responses were borderline homophobic, says Blanchard, other comments plain false. “I’m okay with it now, but I still realise that I was allowing people to comment on something that’s very personal.The first day I tweeted about it, it was definitely scary to see people commenting about things that literally have nothing to do with them.”

Fame can “open up a can of worms”, she says. “It allows people to critique me, to take ownership of my body, of my face, of my features. I have to stop reading comments because there’s a lot of good ones but then when you see one bad one like, ‘Oh you look ugly’, that’s what’s going to stick with you. I try to only respond to people when it’s something positive, which is difficult because a part of me really wants to call people out when they do things that are mean. But I’m trying, I guess, to restructure Instagram and Twitter to a place where, yes — you can be subject to other people’s opinions — but you can also think,‘I’m gonna use this word or image again, like a protest,’ because if you’re just continuing to do what you’re doing then people will start to realise that you’re not doing it for them.”

Talking to Blanchard, what quickly becomes clear is that her life online is inseparable from her life offline, and she agrees that growing up with these platforms, her generation doesn’t know any different. That said, it’s not the be-all and end-all. “I see that a lot of girls will thank me and be like: ‘I wanna change the world, but I don’t have a platform…’ I think if there was one thing that I want, it’s less self-blame among girls for not being able to ‘write a show about it’ or ‘write a movie about it’ or ‘write an essay about it’. When you’re a girl all these things are against you,so just existing is a form of protest. You don’t have to do more than that; all the other stuff is extra.”

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Multi-coloured cotton chroma dress by UNIF

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White applique organza tank dress by COACH and pink cotton t-shirt by MSGM

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Pink organza dress by CHANEL, silver jewelled tiara STYLIST’S OWN

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Pink faux fur coat by MSGM and silver iridescent patent calfskin sandals by CHANEL

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White applique organza tank dress by COACH and pink cotton t-shirt by MSGM

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Ivory silk burlap and hemp jacket by DELPOZO

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Lavender and gunmetal floral sleeveless dress with black veil, silver and hematite stone hair clip, silver and hematite stone four piece cuff set and silver and hematite stone four piece ring set all by RODARTE

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Multi-coloured cotton chroma dress by UNIF

Photography: Petra Collins

Fashion: Chris Horan

Hair: Laurie Heaps using REDKEN

Makeup: Amy Strozzi using NARS COSMETICS at TMG-LA.com

Nails: Kimmie Kyees using ORLY for celestineagency.com

Fashion Assistant: Jessica Nicols

Hair Assistant: Anna Maria Orzano

Words: Amelia Abraham

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Selena /2015/10/09/selena/ Fri, 09 Oct 2015 13:58:52 +0000 http://www.wonderlandmagazine.com/?p=58635 From her Disney days to duets with A$AP, Selena Gomez is all grown-up. Taken from the 10th Birthday Issue of Wonderland. Black denim tunic dress with patches, white cire tunic dress (worn underneath), striped sleeveless polo knit and sequin embellished earrings all by MIU MIU From her beginnings as a Disney Channel child star, to roles in films […]

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From her Disney days to duets with A$AP, Selena Gomez is all grown-up.

Taken from the 10th Birthday Issue of Wonderland.

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Black denim tunic dress with patches, white cire tunic dress (worn underneath), striped sleeveless polo knit and sequin embellished earrings all by MIU MIU

From her beginnings as a Disney Channel child star, to roles in films like Harmony Korine’s Spring Breakers and Eli Roth’s Aftershock, Selena Gomez has spent most of her life in the spotlight. Now, with her second solo album Revival, and three films in the pipeline for 2016, she’s proven herself as one of Hollywood’s hardest working young adults.And that’s not counting the 23+ credits already to her name.

The LP’s lead single “Good For You” (featuring A$AP Rocky) is a dreamy, slow-burning ballad – a departure from her poppier past.Yet despite the singer and actress’s maturity, more often than not she’s still referred to as a “former child star”, rather than the interesting, prolific young adult she has become.

For her Wonderland cover shoot, we paired Gomez up with Canada’s Petra Collins, a photographer known for her colourful coming-of-age portraits. Afterwards, the pair met to discuss Revival, social media, A$AP and what it means to be a young, female artist today.

Petra: It was so fun shooting with you! It was special, because we’re both the same age but do two totally different things.You were just so easy-going. I mean, for someone of your magnitude, it’s so refreshing to see that…

Selena: You’re so sweet! I love going into someone else’s world, I respect you, and all the stuff you’ve done – it’s insane. I wanted you to have the opportunity to shoot me differently to how I’ve ever been shot before, which I think is exactly what we did. I just love to go into someone’s world and collaborate with them…

P: I had the craziest thing happen a few weeks ago when I was coming back from LA… my Spotify stopped working, so I only had time to buy one song on iTunes before my wi-fi shut off and the plane took off. I bought “Good For You” and played it for most of the plane ride. If I really like a song, I listen to it over and over. I’m really excited for your new album and I think everyone is. Talk a little bit about the process of making it and how long it took you.

S: It’s a very specific album, especially because it’s a new chapter for me. It’s under a new label, and it’s the first time I’m stepping in and really getting behind every person I’m working with. Honestly, it’s the first time somebody said, ‘So what do you want to do?’ and I literally had no idea what I wanted to do because I didn’t have anyone to fall back on… I wasn’t asking Disney, I wasn’t asking anyone. It was going to be solely me, and at this point, there had been so many people talking about my life. It was very violating and I think it was such an outlet for me to talk about how I see things. Just about relationships, friendships, how people treat people. Once I realised everybody else is going to say something about me, I wanted the opportunity to actually sit down and figure out what I’m going to say and how I’m going to say it so people can understand me. It took about a year in total to figure it out. Obviously it is exciting, and beautiful, and I can’t wait. It is going to be my revival – that’s why I’ve titled it Revival.

P: I feel it’s especially important for you to be able to get your voice out, because you’ve grown up in the spotlight. It’s a crazy thing, where everyone is telling your story. You’re a woman now and you are able to make your own sound.

S: Once “Good For You” became the first single, I got A$AP [Rocky]’s number and was like ‘Hey, I’m a really big fan!’ I love him. ‘I would love for you to check out the song,’ and he was like, ‘I think it’s amazing, but can I change some stuff?’ I’m like, ‘Of course, do whatever you want.’ And within two days, he sent me the version that we released to radio.

P: I was impressed that you decided to make it the first single. Everyone normally releases the most radio-friendly one first. But it’s got this kind of specific mood, like you’re putting this out as a teaser for the theme of the album.

S: That’s exactly the idea! I’m smiling, it makes me really happy, because that is exactly what I wanted. I had a really hard time [deciding on the] first single, because we were going to go with something a little bit more upbeat. I finally decided “Good For You” is going to be the single, because it’s not in anybody’s face and is not trying too hard.

P: What I find the most interesting is that in the last couple of years, social media has become a huge part of our lives. You use Instagram and Twitter as a gateway to connect with your fans. I guess for me and for other young women, it’s also sometimes hard because people see it as a forum to discuss anything about you and your body. What does social media mean for you, at this point of your life?

S: For me, I don’t post everyday unless I’m really excited about something and then usually I’m annoying on it. I’m not going to say I’ve never read the comments, they are right there when you pull up a picture. It’s just one of those places where you have to understand that it’s not real life. I’m so glad that my fans can see my perspective of the world. Which is awesome because I get to share funny photos, or what I’m eating, or where I am. That’s the truth. The problem is that people are looking at all these pages and then they are thinking less of themselves. They feel like they need to be exactly like what these people are posting… all for what? A follow or a like? Literally, for
a red heart on a screen. Obviously I’ve been guilty of doing that, I’m not going to say I’ve not had moments where that happened to me. But I had to realise that the real world was exactly where
I need to be, or else I’m going to lose my mind. You can do wonderful things with social media, but you can also put the screen down and enjoy people and talk about stuff. Sometimes, I just have to put the news on – just to remind myself that there is stuff going on in the world that doesn’t relate to what ‘this’ person wore. It’s all about your perspective. If anything, I would just encourage my fans and my girls to have a healthy outlook and just talk about it. I love Instagram, I look at it 1,500 times a day, so I’m not bashing it. I just know how obsessive and addictive it can be, and that’s scary.

P: A Boston radio station asked you to rate yourself.I found that disgusting! It just made me sad that with women and female pop stars, the focus is on your image, or your love life. How do you feel about the way the media presents pop stars like you, or women like you?

S: I think at times, it can be frustrating. I don’t know: when the question came up, to me, I know exactly what music is, I know what radio is. I kind of said what they would expect me to say. You’re damned if you do, you’re damned if you don’t – I’m going to be nice.They’re doing their job, I’m going to do my job. When they want talk about real things, I’ll get back to talking about real things.

P: Totally – and I’m glad you recognise that and play that game. It’s a lose-lose situation. Switching gears a bit: you both act and make music. What’s the difference between being on stage or being on set. What are your favourite things about each?

S: One of the things I love about being on a set for 14 hours, is this feeling of when I’m done for the day. It’s almost like an adrenaline rush you get from getting off the stage. It requires so much more of my brain to be on set… I’m being challenged by a co-star or being pushed by a director, and there’s this incredible high I get when I feel like I’ve accomplished something great. Then I also get this feeling where if I don’t do something the way I envisioned it, I get very hard on myself. The reason I love acting is that I challenge myself. I’m in this place in my life where people just assume that I can get anything that I want. But every single thing I’ve done, I’ve earned. I feel that way when I’m on set, and I’m working with people that are challenging me intellectually, emotionally and physically. And with music… I feel so free.When I’m on my own stage, I feel like I want to connect with the whole world. I want to talk about life, I want to talk about what a song means to me. I like to look at that one person who’s not dancing or not smiling and make them smile, that’s the best.

P: It’s important for you to do that, and it’s so important to have a female role model who is coming into her own, too. When I listen to “Good For You”, it’s something that I would listen to when I’m thinking about myself, or trying to feel good about myself. I guess it’s about feeling good about yourself before you try and reach out to someone else, do you know what I mean?

S: Well, that’s the idea. Of course, people are like,“Oh, you’re looking good for someone else,” but the song starts off with, “I’m in my 14 carats, I’m a 14 carat.” It’s basically me saying I’m
a diamond. I can’t explain it – this sensual, romantic, beautiful feeling. I love the feeling of being a woman, I think it’s something we have that’s incredible.Whatever it is that makes you feel sexy: in the video, I was in a white T-shirt with my hair wet, and I think that makes me feel beautiful.

P: Yeah, exactly. If you feel good about yourself and have positive energy, you can conquer and do whatever you want. I feel like that’s what you’re doing right now, which is really exciting.To finish, I’ve put a bunch of silly questions together – I always find those interesting. What’s your favourite old movie?

S: The Wizard of Oz. I just remember, the first song I ever learned to sing was “Somewhere Over the Rainbow”. I stood by the fireplace and sung it for my family.

P: Whose career do you admire? Tough question.

S: I admire Meryl Streep – not only for the longevity of her career, but also how she constantly reinvents herself.

P: Last one.What’s your favourite song – a cry-song and a happy-song?

S: “You Should Be Stronger Than Me” by Amy Winehouse for sure, and then a happy-song… I don’t know, anything from the 70s. I don’t really know a lot about it, but I feel like I grew up wanting to be Penny Lane [from Almost Famous]. I just love it.

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Black short sleeve polo knit, cotton printed dress (worn underneath), long full skirt in Cire’ with patch and sequin embellished earrings all by MIU MIU

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Blue metallic python tunic dress, white cire tunic dress (worn underneath) and blue and silver Python cowboy boots all by MIU MIU

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Black and white striped denim tunic dress with embellishments by MIU MIU

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Black and white striped denim tunic dress with embellishments by MIU MIU, striped nylon polo knit (worn underneath) and earrings with fur embellishment all by MIU MIU

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Black denim tunic dress with fur embellishment, white cotton tunic dress with pussy bow tie both by MIU MIU

Words and Photographer: Petra Collins

Fashion: Danielle Emerson

Makeup: Jake Bailey at Starworks

Hair: Lona Vigi at The Magnet Agency

Fashion assistant: Kendall Finzer

Photography assistant: Kailae Chamb

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New Issue: Dane DeHaan shot by Matt Lambert /2015/09/18/new-issue-dane-dehaan-shot-matt-lambert/ Fri, 18 Sep 2015 12:19:27 +0000 http://www.wonderlandmagazine.com/?p=56446 Halfway through our cover reveals – young Hollywood’s fresh-faced poster boy, Dane DeHaan is next up. Anton Corbijn’s golden boy Dane DeHaan plays James Dean in biopic Life. Discussing his idol and his work to date, the one time Prada face bares all in our cover feature for our 10th birthday issue. Inside we rewind to 2005 […]

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Halfway through our cover reveals – young Hollywood’s fresh-faced poster boy, Dane DeHaan is next up.

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Anton Corbijn’s golden boy Dane DeHaan plays James Dean in biopic Life. Discussing his idol and his work to date, the one time Prada face bares all in our cover feature for our 10th birthday issue.

Inside we rewind to 2005 with a Prada retrospective and delve into Gareth Pugh’s hallowed archives. We hand pick the best of the next, selecting the fastest-risers of the year, putting them through their paces, grilling every up-and-comer you should know about in 2015. Finally, we’ve catalogued the names of now, shot only by talents as great, with 10 cover stars spanning music, film and fashion.

Photographer: Matt Lambert

Fashion: Andrew Davis

Grooming: Servullo

A Decade of Wonderland.

Selena Gomez by Petra Collins

FKA twigs by Matthew Stone

Dane DeHaan

Ten years of Prada

Gaspar Noé’s Love

Eliot Sumner

Zoë Kravitz

Emma Roberts

Hailee Steinfeld

Gareth Pugh

Bella Hadid

Lucky Blue

 

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Our 10th Birthday Issue Teaser /2015/09/18/10th-birthday-issue-teaser/ Fri, 18 Sep 2015 09:53:01 +0000 http://www.wonderlandmagazine.com/?p=56425 Happy birthday to us! We celebrate with 10 covers and the biggest issue we’ve ever made. You’ve already seen a handful of our 10th birthday covers. Take a peek inside as the biggest issue we’ve ever done hits newsstands.  

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Happy birthday to us! We celebrate with 10 covers and the biggest issue we’ve ever made.

You’ve already seen a handful of our 10th birthday covers. Take a peek inside as the biggest issue we’ve ever done hits newsstands.

 

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