Whether it’s an obsession or an insatiable drive to create, Oxis nine albums in three years is a feat some have called ‘insane.’ The ripple effect has seen her land support slots at The Strokes and Magdalena Bay for her completely singular, marine-obsessed electronica. Indeed, music’s her release, and she’s done a lot of it.
Oxis can pull off anything. A cropped blueberry bob. Baby-doll vocals, straight from the gut, over pulsating percussion. Releasing nine albums in just three years. The insatiable appetite for her hyperactive electro-pop just keeps on proliferating. So too does her fascination with sea life. Described by Office Magazine as the “Princess of Marine Electronica”, she names each lo-fi track after an underwater creature: “Long Sardine”, “Knifefish”, “Grey Mullet”, their sonic vertebrae mutating into glitching beats and tightly clipped guitar loops. In late 2024, her production eccentricities caught the attention of The Strokes’ frontman Julian Casablancas, landing her support slots in Los Angeles and New York. From there came a North American run with alt-pop duo Magdalena Bay this last year, taking her looper and guitar across the continent before returning for headline dates in LA, Toronto and New York, steadily building her own following in the process. There are always plenty more fish in the sea, we’re told, but Oxis’ ethereal electronica feels entirely singular.
What’s your earliest memory of music having an effect on you?
I saw a Lady Gaga show at 13 years old, and it really shook my world. It was the most otherworldly thing I had ever experienced in my 13 years of life.
What does it mean to you to be original?
Not listening to opinions. Living in your own bubble and creating things based on the delusions in your head.
When did you last get in trouble?
I don’t remember. I should go do something risky now…
What’s turning you on creatively right now?
Learning how to be a functioning human in the world means suppressing all your wildest thoughts and most aggressive emotions. But they are still there, deep down. So after functioning for a while in the world, I like to come back to my computer and release all of that into music.
What’s been your greatest act of artistic rebellion?
Putting out nine albums in three years. Most people said that was insane.
WONDERLAND SUMMER 2026. GUEST EDITED BY MILEY CYRUS. SHOP NOW.
Photography Mario Sorrenti
Chief Creative Officer & Styling Alastair McKimm
Words Ella Bardsley
Hair Bob Recine
Make-up Diane Kendal
Set Design Philipp Haemmerle
Executive Producer Dana Brockman
Producer Max Bonbrest
Casting Alexandra Antonova for Samuel Ellis Scheinman
Lighting Technician Lars Beaulieu
1st Photo Assistant Kotaro Kawashima
Photo Assistants Paolo Afante, Kurt Mangum
Digital Tech Charles Meyer
Fashion Assistants Taylor Wood, Kassidy Taylor
Hair Assistant Jeelan Aleem
Make-up Assistants Eduardo Jiminez, Breanna Harmon
Set Assistants Oscar Haemmerle, Xavier Mozejewski
Production Assistant Din Morris