Did you study photography formally?<\/strong><\/p>\nI took film and photography as a full course while in high school in Antwerp and went on to study the same thing at uni in Ghent (where I was forced to drop out… long and pointless story). After that I started working on film sets, meandering between different sorts of functions, before moving to London where I now work as an editorial photographer.<\/p>\n
Explain what’s happening with the pop-up exhibition at Motto? How did you find the space? How will it be used?<\/strong><\/p>\nWe’re using the space in and around the bookshop to showcase a selection of prints from the book. The prints will be up in the stores, but also in the street nearby, behind these really cool fluorescent-lit windows.<\/p>\n
Which emergent photographers are you currently watchful of?<\/strong><\/p>\nAt the moment I’m really enjoying Yugo Jeberg’s work. His images are like stills from a road movie you’d like to be in. Lukasz Wierzbowski and Ana Ra\u0161 also stand among my favourites and more recently I’ve discovered the work of Brigette Bloom, whose blog really sucks you in.<\/p>\n
Words: Jack Mills<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"A part of an ongoing pop-up exhibition at Motto’s Berlin store, If You Leave – artist and curator Laurence Von Thomas’s 2009-present digital and print series which invites contributions from shoegazing and boundary-pushing photographers the globe over – presented its second bound volume “Black” on Friday. He spoke Wonderland about it.<\/p>\n","protected":false},"author":4,"featured_media":8621,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[305],"tags":[986,1288,2461,559,50,1107,2463,2462,1721,607,2464],"acf":[],"yoast_head":"\n
IF YOU LEAVE: Black x Motto, Berlin | Wonderland<\/title>\n \n \n \n \n \n \n \n \n \n \n \n \n\t \n\t \n\t \n \n \n \n \n \n\t \n\t \n\t \n