{"id":7230,"date":"2012-04-23T13:40:13","date_gmt":"2012-04-23T13:40:13","guid":{"rendered":"http:\/\/www.wonderlandmagazine.com\/?p=7230"},"modified":"2012-04-23T13:42:51","modified_gmt":"2012-04-23T13:42:51","slug":"anthony-mccall-five-minutes-of-pure-sculpture","status":"publish","type":"post","link":"https:\/\/www.wonderlandmagazine.com\/2012\/04\/23\/anthony-mccall-five-minutes-of-pure-sculpture\/","title":{"rendered":"ANTHONY MCCALL &#8211; Five Minutes of Pure Sculpture"},"content":{"rendered":"<p>English-born and New York City based artist Anthony McCall\u2019s latest exhibition, \u201cFive Minutes of Pure Sculpture\u201d  &#8211; which opened at the Hamburger Bahnhof in Berlin on Friday &#8211; is his largest to date, containing seven visceral light projection pieces. He spoke to <em>Wonderland<\/em> about the curious new experiment.<\/p>\n<p><div id='gallery-1' class='gallery galleryid-7230 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/04\/Picture-173.jpg'><img width=\"345\" height=\"483\" src=\"https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/04\/Picture-173-345x483.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/04\/Picture-142.jpg'><img width=\"345\" height=\"483\" src=\"https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/04\/Picture-142-345x483.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/04\/Picture-136.jpg'><img width=\"345\" height=\"259\" src=\"https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/04\/Picture-136-345x259.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/04\/Picture-182.jpg'><img width=\"345\" height=\"415\" src=\"https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/04\/Picture-182-345x415.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n<!--more--><\/p>\n<p>The title, says McCall, refers to the \u201clength of time people spend looking at the [displays] and the fact that they are three-dimensional sculptural objects, that are undergoing changes of their own. They are unstable, they are cinematic objects that are structured in time\u201d. The reference to purity was appropriated from Henri Chomette\u2018s 1926 film <em>Five Minutes of Pure Cinema<\/em> &#8211; the work, he claims, can be understood as both sculpture and cinema, dynamic and undefinable at once. <\/p>\n<p>In the Bahnhoff&#8217;s giant hall and submerged in complete darkness, are pillars of light, that on closer inspection are animated drawings. The vertical and horizontal projections create tunnels that visitors can walk underneath and around, creating a purely cerebral and immersive art experience. The drawings are computer animations that are programmed algorithms, with cycle times ranging from 10 to 30 minutes. <\/p>\n<p>&#8220;Essentially the sculptures are abstract objects,&#8221; he explains. &#8220;But I am interested in the possibility of representing the body. The titles \u201cCoupling\u201d, &#8220;You&#8221;, &#8220;I Horizontal\u201d and \u201cBetween you and I\u201d refer to the body but do not represent bodies in any pictoral sense. It is up to the viewer to delineate the context and define what the work represents in reference to themselves.&#8221; <\/p>\n<p>Currently McCall collaborates with programmers for projects, but earlier in his career, he animated them himself.  Beginning earlier still with live performances, he would go about making films of the performances. The idea was to explore \u201cthe possibility of making a film that only existed in the moment of projection\u201d. In 1973, the artist relocated to New York City to pursue his interest in the Happening movement with fellow experimental figureheads John Cage and Robert Whitman. It was there he began exploring the possibility of \u201csolid light\u201d sculptures. The rest, as they say, is history &#8211; but it&#8217;s best see it unfold for yourself.<\/p>\n<p><em>Five Minutes of Pure Sculpture runs until August 12th<\/em><br \/>\n<em>Words: Irina Makarova<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>English-born and New York City based artist Anthony McCall\u2019s latest exhibition, \u201cFive Minutes of Pure Sculpture\u201d &#8211; which opened at the Hamburger Bahnhof in Berlin on Friday &#8211; is his largest to date, containing seven visceral light projection pieces. He spoke to Wonderland about the curious new experiment.<\/p>\n","protected":false},"author":4,"featured_media":7232,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[305],"tags":[2150,305,488,2151,559,50,2149,1078],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>ANTHONY MCCALL - Five Minutes of Pure Sculpture | Wonderland<\/title>\n<meta name=\"description\" content=\"ANTHONY MCCALL - Five Minutes of Pure Sculpture.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.wonderlandmagazine.com\/2012\/04\/23\/anthony-mccall-five-minutes-of-pure-sculpture\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ANTHONY MCCALL - Five Minutes of Pure Sculpture | Wonderland\" \/>\n<meta property=\"og:description\" content=\"ANTHONY MCCALL - Five Minutes of Pure Sculpture.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.wonderlandmagazine.com\/2012\/04\/23\/anthony-mccall-five-minutes-of-pure-sculpture\/\" \/>\n<meta property=\"og:site_name\" content=\"Wonderland\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/WonderlandMagazine\/\" \/>\n<meta property=\"article:published_time\" content=\"2012-04-23T13:40:13+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2012-04-23T13:42:51+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/04\/Picture-142.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"896\" \/>\n\t<meta property=\"og:image:height\" content=\"597\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Wonderland Staff\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@wonderlandmag\" \/>\n<meta name=\"twitter:site\" content=\"@wonderlandmag\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Wonderland Staff\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.wonderlandmagazine.com\/2012\/04\/23\/anthony-mccall-five-minutes-of-pure-sculpture\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.wonderlandmagazine.com\/2012\/04\/23\/anthony-mccall-five-minutes-of-pure-sculpture\/\"},\"author\":{\"name\":\"Wonderland Staff\",\"@id\":\"https:\/\/www.wonderlandmagazine.com\/#\/schema\/person\/6dc3b150149b9a6c43bd0d6277c3c000\"},\"headline\":\"ANTHONY MCCALL &#8211; 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