{"id":7223,"date":"2012-04-23T12:41:38","date_gmt":"2012-04-23T12:41:38","guid":{"rendered":"http:\/\/www.wonderlandmagazine.com\/?p=7223"},"modified":"2017-03-01T13:58:06","modified_gmt":"2017-03-01T13:58:06","slug":"new-noise-frankie-rose","status":"publish","type":"post","link":"https:\/\/www.wonderlandmagazine.com\/2012\/04\/23\/new-noise-frankie-rose\/","title":{"rendered":"NEW NOISE:  Frankie Rose"},"content":{"rendered":"<p>As drummer for the <a href=\"http:\/\/www.crystalstilts.com\/\">Crystal Stilts<\/a>, <a href=\"http:\/\/wearedumdumgirls.com\/\">Dum Dum Girls<\/a>, and the <a href=\"http:\/\/viviangirlsnyc.blogspot.com\/\">Vivian Girls<\/a>, Frankie Rose kept time for some of contemporary LO-FI&#8217;s lynchpin moments. Rising from behind the drums as a solo artist with a debut self-titled album with her band The Outs, she retained the &#8220;60s girl band&#8221; sound she was known for peddling. With her new album Interstellar out now on Slumberland, <a href=\"http:\/\/www.missfrankierose.com\/\">Frankie Rose <\/a> explores lush, synth oriented sonics. <em>Wonderland <\/em>caught up with Frankie amidst her first solo tour-proper.<\/p>\n<p><div id='gallery-1' class='gallery galleryid-7223 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/04\/Picture-95.jpg'><img width=\"345\" height=\"412\" src=\"https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/04\/Picture-95-345x412.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/04\/Picture-116.jpg'><img width=\"345\" height=\"483\" src=\"https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/04\/Picture-116-345x483.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/04\/Picture-106.jpg'><img width=\"345\" height=\"483\" src=\"https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/04\/Picture-106-345x483.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/04\/Picture-125.jpg'><img width=\"345\" height=\"483\" src=\"https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/04\/Picture-125-345x483.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n<!--more--><\/p>\n<p><strong>Let&#8217;s discuss Interstellar, which explores sonics you weren&#8217;t particularly familiar with.<\/strong><\/p>\n<p>I knew I wanted to make something different. I knew I wanted to use synths. I wanted this to be much bigger pop album, and pop in a sense of my version of what a dance record would be. The drums would be a big part of the sound. I originally started working in the old studio I did the first album in, and only did a week or two worth of recording. I just wasn&#8217;t getting the sounds I wanted to get. I rolled the die in a sense and I started working with a producer named Le Chev, and he&#8217;s my friend actually who has completely different tastes in music than me. I had a lot of faith in him. We did one or two songs together and it sounded amazing. I just knew I made the right decision. I did the whole album with him. <\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/nIIgc9Cf_TY\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><strong>The album still touches on a retro, New Wave feel, but it has an extremely modern sound.<\/strong><\/p>\n<p>People like to ask what it is. Is it new wave? I don&#8217;t think it is anything. I think it&#8217;s an amalgamation of all my references. I wanted to make my version of a dance album. When I think about what I might go out dancing to, and this might actually date me too, but I would always go to 80s nights or The Smiths nights. Those are kind of the drum sounds that I wanted to stick with because I know them. I definitely didn&#8217;t want to make a throwback album. I don&#8217;t know if I&#8217;d be able to do that. I feel like too many references come from too many places to make something that exactly like this or that. It felt like it wasn&#8217;t trying to be something from a particular part in time but rather something that picks up things along the way. I always like to use the analogy of a painter that borrows certain things, who was trained by other painters. Of course, you&#8217;re going to take away some of that style and make it into your own. With any luck, you&#8217;re eventually developing your own stuff. <\/p>\n<p><strong>You&#8217;ve been a drummer in many groups in the past, and Interstellar is your second solo record &#8211; do you enjoy going at it alone?<\/strong><\/p>\n<p>It\u2019s awesome! It&#8217;s getting a little easier now because I&#8217;ve got some help. It&#8217;s tiring in a sense because you are totally responsible for everyone that is playing with you. You are the sole decision maker, so sometimes that can be a lot of weight on your shoulders. As far as music writing goes, it\u2019s just so awesome to have your own vision and be able to complete it by yourself. I can&#8217;t think of anything that is more satisfying. I think working with a producer was the perfect kind of collaboration for me. All and all, it\u2019s just much better for me. I guess I&#8217;m a little bossy, I don&#8217;t know [laughs].<\/p>\n<p><em>Words: Kelly Frazer<\/em><br \/>\n<em>Frankie Rose plays Portland&#8217;s East End venue tonight.<\/em><br \/>\n<em>Interstellar is out now on Slumberland <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>As drummer for the Crystal Stilts, Dum Dum Girls, and the Vivian Girls, Frankie Rose kept time for some of contemporary LO-FI&#8217;s lynchpin moments. Rising from behind the drums as a solo artist with a debut self-titled album with her band The Outs, she retained the &#8220;60s girl band&#8221; sound she was known for peddling. [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":7224,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[9419,9412],"tags":[2144,1308],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>NEW NOISE: Frankie Rose | Wonderland<\/title>\n<meta name=\"description\" content=\"NEW NOISE: Frankie Rose.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.wonderlandmagazine.com\/2012\/04\/23\/new-noise-frankie-rose\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"NEW NOISE: Frankie Rose | Wonderland\" \/>\n<meta property=\"og:description\" content=\"NEW NOISE: Frankie Rose.\" \/>\n<meta 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