{"id":6508,"date":"2012-03-30T12:46:19","date_gmt":"2012-03-30T12:46:19","guid":{"rendered":"http:\/\/www.wonderlandmagazine.com\/?p=6508"},"modified":"2012-03-30T13:00:20","modified_gmt":"2012-03-30T13:00:20","slug":"vuitton-x-tate-the-hello-cube","status":"publish","type":"post","link":"https:\/\/www.wonderlandmagazine.com\/2012\/03\/30\/vuitton-x-tate-the-hello-cube\/","title":{"rendered":"VUITTON \u00d7 TATE = The Hello Cube"},"content":{"rendered":"

As part of Tate Modern’s ongoing Yayoi Kusama exhibition, Infinite Kusama (which runs until June 5th and is sponsored by the Louis Vuitton Arts Project), artists Pete Hellicar and Joel Gethin Lewis (AKA Hellicar & Lewis) recently established a groundbreaking sound and touch sensitive light display called The Hello Cube in the gallery’s Turbine Hall. Wonderland<\/em> sat down with the duo to discuss the piece – reportedly the first ever Twitter-able installation of its kind – inspired by Kusama’s The Passing Winter.<\/p>\n