{"id":63096,"date":"2016-01-12T13:28:14","date_gmt":"2016-01-12T13:28:14","guid":{"rendered":"http:\/\/www.wonderlandmagazine.com\/?p=63096"},"modified":"2017-07-25T16:24:03","modified_gmt":"2017-07-25T16:24:03","slug":"lcm-christopher-raeburn-aw16","status":"publish","type":"post","link":"https:\/\/www.wonderlandmagazine.com\/2016\/01\/12\/lcm-christopher-raeburn-aw16\/","title":{"rendered":"LCM: Christopher Raeburn AW16"},"content":{"rendered":"

Ruffles, camo and denim, oh my! Christopher Raeburn’s wearabililty was unmatched for AW16.<\/p>\n

\"Z81A9663\"<\/a><\/p>\n

The Good Stuff<\/span><\/strong><\/p>\n

You just get the sense that Christopher Raeburn is good person. It\u2019s probably because the main tact of his whole brand is sustainability, and season upon season the designer sticks to his guns. Each collection uses the principle of reusing and remaking \u2014 continuing his foraging for military fabrics: waterproof coverings, camo fabrics and rubber suiting all go into the fabrication of his outerwear. Inspired by Mongolia \u2014 apparently one of the last truly wild places on earth \u2014 outfits claim to look at rich texture in the same way garments worn by traditional Nomadic Herders do. There are big, fluffy knits with matching scarves in maroons and rusty oranges, with furry-panelled backpacks and coarsely woven jeans for Winter. Raeburn\u2019s mantra is evidently wearability \u2014 and he manages to incorporate global inspirations without crossing into the dreaded appropriation game. <\/span><\/p>\n

A Coat Affair<\/span><\/strong><\/p>\n

The highlight of the offering was for sure the coats. Icy grey bombers had plasticy, thick lines in khaki printed horizontally upon them; parkas and anoraks were lovely too, but it was the final true show pieces \u2014 made from shredded snow-camouflage ponchos \u2014 which were sewn edge-ways onto a parka, forming a massive ruffle-gasm that stole the show. They were rather a bolt from the blue indeed, in a collection of otherwise muted, down played pieces. A bit of camp never hurt anyone.<\/span><\/p>\n

Same same but different<\/span><\/strong><\/p>\n

The only slight gripe is that it all feels rather the same. Perhaps Raeburn\u2019s MO is to be trendless \u2014 and this is a much better thing for the consumer \u2014 but there\u2019s a difference between trendlessness and the same when most of the offering felt like seasons before, which often feel like seasons before. So it\u2019s a mixed bag: there\u2019s definitely a load of room for change, but that which was different was beautiful.<\/span><\/p>\n

\"Z81A9668\"<\/a><\/p>\n

\"Z81A9676\"<\/a><\/p>\n

\"Z81A9694\"<\/a><\/p>\n

\"Z81A9788\"<\/a><\/p>\n

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\"Z81A9761\"<\/a><\/p>\n

\"Z81A9747\"<\/a><\/p>\n

\"Z81A9740\"<\/a><\/p>\n

\"Z81A9735\"<\/a><\/p>\n

\"Z81A9720\"<\/a><\/p>\n

\"Z81A9713\"<\/a><\/p>\n

Photographer<\/strong>: Thurstan Redding<\/p>\n

Words<\/strong>:\u00a0Tom Rasmussen <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Ruffles, camo and denim, oh my! Christopher Raeburn’s wearabililty was unmatched for AW16.<\/p>\n","protected":false},"author":4,"featured_media":63111,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9418],"tags":[7954,2494,3465],"acf":[],"yoast_head":"\nLC:M | Christopher Raeburn AW16 | Wonderland Magazine<\/title>\n<meta name=\"description\" content=\"Ruffles, camo and denim, oh my! 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