{"id":62704,"date":"2016-01-09T16:10:51","date_gmt":"2016-01-09T16:10:51","guid":{"rendered":"http:\/\/www.wonderlandmagazine.com\/?p=62704"},"modified":"2017-08-01T14:03:23","modified_gmt":"2017-08-01T14:03:23","slug":"lcm-alex-mullins-aw16","status":"publish","type":"post","link":"https:\/\/www.wonderlandmagazine.com\/2016\/01\/09\/lcm-alex-mullins-aw16\/","title":{"rendered":"LCM: Alex Mullins AW16"},"content":{"rendered":"

Photo prints and Brit Pop, Alex Mullins twisted realism for AW16.<\/p>\n

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z81a8596<\/span><\/strong><\/p>\n

Boredom<\/span><\/strong><\/p>\n

Alex Mullins\u2019 AW16 presentation took inspiration from the \u2018process of boredom\u2019. Although this doesn’t sound promising, it was not boredom itself that was explored, but more what comes thereafter: thoughts of escapism to another place, the alteration of time, the creation of pictures and stories in false realities \u2014 all means used subconsciously by the mind to escape boredom. The collection was designed solely from the imagination \u2014 the combative force against boredom \u2014 with warped print faces and hemlines running throughout the show, as well huge acid green and white fabrics twisting around one another fluidly, and often inconveniently, hanging throughout the show space. All realism \u2014 whether in cut, texture or colour \u2014 was warped, and all the pieces looked as if their patterns had begun \u2018normal\u2019 and the boredom with this had extended lapels, added layers and pockets and rivets, and opened up totally twisted silhouettes. Mullins, yet again, is asking a lot of his customer \u2014 there is no normcore here, and thank God!<\/p>\n

The Shape of Things<\/span><\/strong><\/p>\n

Shape is often Mullins\u2019 chosen playground. Whether it was the over-egged denim two pieces in rich indigo, with exposed tobacco stitching, riveted and buttoned in sloping curves across and down the side of the body, causing the stiff, thick fabric to buckle and warp in slightly obscure places, or the floor length coat that was layered in multi-neon printed fabric, deep blue felting, and more print fabric, which sloped around the body following irregular lines, Mullins isn\u2019t afraid to push his silhouette further than most. Patches were cut and studded onto the calf or the thigh, and pictures \u2014 taken by photographer Hazel Gaskin \u2014 of boys in last season\u2019s collection were printed onto floor length tabards and cut following the edges of the image. Seeking inspiration from Brit Pop \u2014 and its apparent warped realism \u2014 Mullins\u2019 silhouettes indeed formed warped versions of usually regular garments for sure.<\/p>\n

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Photographer<\/strong>: Thurstan Redding<\/p>\n

Words<\/strong>:\u00a0Tom Rasmussen<\/p>\n","protected":false},"excerpt":{"rendered":"

Photo prints and Brit Pop, Alex Mullins twisted realism for AW16.<\/p>\n","protected":false},"author":4,"featured_media":62710,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9418],"tags":[7069,7954,3465],"acf":[],"yoast_head":"\nLC:M | Alex Mullins AW16 | Wonderland Magazine<\/title>\n<meta name=\"description\" content=\"Photo prints and Brit Pop, Alex Mullins twisted realism for AW16.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.wonderlandmagazine.com\/2016\/01\/09\/lcm-alex-mullins-aw16\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LC:M | Alex Mullins AW16 | Wonderland Magazine\" \/>\n<meta property=\"og:description\" content=\"Photo prints and Brit Pop, Alex Mullins twisted 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