{"id":62567,"date":"2016-01-07T15:34:38","date_gmt":"2016-01-07T15:34:38","guid":{"rendered":"http:\/\/www.wonderlandmagazine.com\/?p=62567"},"modified":"2017-08-01T15:29:40","modified_gmt":"2017-08-01T15:29:40","slug":"new-noise-kedr-livanskiy","status":"publish","type":"post","link":"https:\/\/www.wonderlandmagazine.com\/2016\/01\/07\/new-noise-kedr-livanskiy\/","title":{"rendered":"New Noise: Kedr Livanskiy"},"content":{"rendered":"

We chat to one of Moscow’s rising electronic and D&B stars.<\/p>\n

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Kedr Livanskiy’s story isn’t exactly commonplace. She’s an alternative electronic artists from Moscow who was born in 1990 at a dramatically\u00a0transitional time for Russia – the end of the Soviet Union and the beginning of the Russian Federation. Fast forward to young adulthood and a displaced-feeling Kedr joined the directing department of the Moscow school of New Cinema whilst maintaining an interest in music that led her to forming a DIY music group with like-minded creatives called John’s Kingdom.<\/p>\n

They’ve since kept a buzzing and raw scene thriving in Moscow and Kedr herself is due to release a debut EP on 2MR early this year – she has already made waves with the excellent and chillingly unique track, ‘Sgoreat’. Keeping all this in mind, we understandably jumped at the opportunity to get to talk with Kedr about the liminal joys of Moscow’s border country, the importance of being an individual and why music is all about raising a middle finger to “objective reality”.<\/p>\n