{"id":61177,"date":"2015-11-30T11:34:06","date_gmt":"2015-11-30T11:34:06","guid":{"rendered":"http:\/\/www.wonderlandmagazine.com\/?p=61177"},"modified":"2017-03-01T12:08:05","modified_gmt":"2017-03-01T12:08:05","slug":"new-noise-kiran-leonard","status":"publish","type":"post","link":"https:\/\/www.wonderlandmagazine.com\/2015\/11\/30\/new-noise-kiran-leonard\/","title":{"rendered":"New Noise:  Kiran Leonard"},"content":{"rendered":"<p>Wise, refreshing and critically acclaimed, what more do you want in an up-and-coming musician?<\/p>\n<p><!--more--><\/p>\n<p><a href=\"\/\/media.wonderlandmagazine.com\/uploads\/2015\/11\/lq_i8iEg3-ywpTgIpJsPSiwftdhj2455OD9TrTMREDoO3-ZNmkaMxP7kz-7dxdGx10R60Hiyuolal8QmTv4QOs.jpeg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter size-large wp-image-61187\" src=\"\/\/media.wonderlandmagazine.com\/uploads\/2015\/11\/lq_i8iEg3-ywpTgIpJsPSiwftdhj2455OD9TrTMREDoO3-ZNmkaMxP7kz-7dxdGx10R60Hiyuolal8QmTv4QOs-1024x682.jpeg\" alt=\"lq_i8iEg3-ywpTgIpJsPSiwftdhj2455OD9TrTMREDo,O3-ZNmkaMxP7kz-7dxdGx10R60Hiyuolal8QmTv4QOs\" \/><\/a><\/p>\n<p>&#8220;Deerhoof, Shellac, Dirty Projectors&#8230; the end of\u00a0<i>Eraserhead<\/i>\u00a0where the baby dies and the whole of Henry\u2019s apartment fills with mashed potato&#8221; &#8211; these are just some of the influences Kiran Leonard\u00a0tells us about\u00a0for his\u00a0second album\u00a0<i>Grapefruit<\/i>. The list goes on to hail the set design and costumes in Alan Bennett\u2019s\u00a0<i>The Madness of King George III\u00a0<\/i>and having a lack of professional percussion equipment to experiment with. &#8220;Anybody who\u2019s ever bought a cabasa is a fool. Just wrap a piece of sandpaper round a block of wood and scratch the surface with a washing-up brush. It\u2019s exactly the same sound.&#8221;<\/p>\n<p>It&#8217;s safe to say that when most of us were fresh out of finishing our A-Levels, we hadn&#8217;t released a 16 track, critically acclaimed album. But then we&#8217;re not Kiran Leonard.\u00a0An early starter, Kiran&#8217;s first release,\u00a0<i>Bowler Hat Soup<\/i>\u00a0was produced when\u00a0he was 17, and even now at just 20 years old,\u00a0speaks with a wisdom regarding\u00a0his work that would take most people years to cultivate.<\/p>\n<p><i>Grapefruit<\/i>\u00a0is the self-recorded follow-up to his initial success, which\u00a0consists of 8 surreal titles,\u00a0holding a combined sound of grunge, noise and ballads a la Grinderman.The album is heralded by a 16 minute long lead-track called\u00a0<i>Pink Fruit<\/i>, which will be released as a strictly-limited one-sided 12\u201d vinyl single early next year.<\/p>\n<p>We live in\u00a0an oversharing\u00a0era with increasing pressure from a PR perspective on artists to remain scripted and say the &#8216;right&#8217; thing.\u00a0Refreshingly, Kieran has a blatant disregard for this dull philosophy, and dedicated his latest work to a school foe in conceited fashion: &#8220;to the boy who used to call me a long-haired f***ot and punch me in the kidneys in biology class&#8230;\u00a0this one goes out to you&#8221;<br \/>\n<iframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/233917335&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;visual=true\" width=\"100%\" frameborder=\"no\" scrolling=\"no\"><\/iframe><br \/>\n<b>Your career started when you were just 17, which is very young, do you think that\u2019s influenced how you write?\u00a0<\/b><\/p>\n<p>I\u2026 don\u2019t know? Sorry, I know that\u2019s a rubbish answer, and a fucking appalling answer to start an interview with. But I don\u2019t think my career has had any impact on the way I write. I don\u2019t think that starts to happen until you\u2019re Taylor Swift or something and your career takes off to the point where it starts having an effect on the way you think and see yourself in day to day life. I still write and record on my own at home, in pretty much the same way I always have.<\/p>\n<p><b>How do you think you\u2019ve grown as an artist?<\/b><\/p>\n<p>I think it\u2019s important to ingest a lot of art &#8211; music, but also stuff from other mediums &#8211; and take it in perceptively and learn from it. I also think self-evaluation is crucial, so you don\u2019t get lost up your own arse or find yourself just going through the motions. I\u2019ve always found it helpful to listen to old material every once in a while, and not lose track of things you\u2019ve done that you\u2019re proud of and you can re-use, or forget mistakes you\u2019ve made so you can avoid them altogether or work on improving them. Basically I think self-awareness and open-mindedness are really conducive for growth.<\/p>\n<p><b>The guardian wrote that one of your tracks sounded like a hardcore band playing a show tune, which I think sounds pretty amazing, how did you react to that?<\/b><\/p>\n<p>I remember that feature really clearly! That was one of the first times I was written about on a big-shot website. I guess it\u2019s natural to have some reservations about the stuff people write about you, even when it\u2019s positive\u2026 like, a comparison to a band you actually hate, or a forced simile that makes you cringe a little. I like the phrase you\u2019ve quoted a lot though: I guess that journalist is just trying to reference the hyperactivity of\u00a0<i>Bowler Hat Soup<\/i>, but\u2026 the fact that it\u2019s hyperactivity with pianos. That\u2019s basically the same as saying &#8216;hardcore show tune&#8217;, right?<\/p>\n<p><b>You\u2019ve expressed a love for poetry before, specifically for poets like\u00a0Anna Akhmatova and Manuel Bandeira, do you think they have influenced your music?<\/b><\/p>\n<p>I mean\u2026 that was just a list I put together for National Poetry Day a couple of weeks ago. I didn\u2019t really start reading lots of poetry until I started extensively studying it at university a year or so ago, and\u00a0<i>Grapefruit\u00a0<\/i>was finished by the time I began my degree. I did write a piece about a few of my favourite writers for a week-long series of concerts for Manchester Central Library last November, and the last movement of that was about Bandeira. I fucking\u00a0<i>adore\u00a0<\/i>him; it\u2019s a shame his stuff\u2019s not widely available in English. He can be hilarious and brutally tragic and poignant in one fell swoop, and in the plainest language. But, certainly with regards to the stuff on\u00a0<i>Grapefruit<\/i>, I was more inspired by songwriters, particularly Daniel Johnston, Kate Bush, Sufjan Stevens, Captain Beefheart, and Cedric Bixler-Zavala (because why have a song make sense when you can just string cool-sounding phrases together ?? ^_^)<\/p>\n<p><b>Have you always known what you wanted to do?<\/b><\/p>\n<p>Thanks for putting so much faith in my decision making! I still don\u2019t know what I want to\u00a0<i>do<\/i>, and<i>\u00a0<\/i>I presume by that you mean do for a living. I don\u2019t see music as a choice in that regard\u2026 as if at the moment I don\u2019t \u2018do\u2019 music because it\u2019s not my profession and then one day I\u2019ll just say, \u201cOK I\u2019m doing music now\u201d and then I\u2019ll have started doing it. I already do music, and I always have done and (god willing) I always will, and I might do it professionally, but I don\u2019t think that\u2019s a decision you can make when you\u2019re twenty. Fuck knows what will happen.<\/p>\n<p><b>What\u2019s the best bit about making music?<\/b><\/p>\n<p>I think that because music is unable to rely as much on tangible, linguistic profundity, like films or novels can tap into with greater ease, it has a wider scope for eliciting intangible, almost physical, pleasurable sensations that are beyond verbal descriptions, and it\u2019s fun looking for a chord or a texture that approaches eliciting that sensation. I guess that sounds a bit wanky. What I mean is\u2026 OK, I can\u2019t explain why Scriabin is as moving to me as, I don\u2019t know, ee cummings. You can kind of explain why ee cummings or FG Lorca is beautiful because poets express things verbally and the beauty\u2019s easily analysed and in some cases almost objective; Scriabin is just chords, but they\u2019re chords tapping into this weird, indescribable sensation that, in my opinion, music has a stronger ability to reach. Obviously with literature there is always this element of the indescribably moving but I think what makes music particularly fun is how the majority of its appeal is ultra-linguistic, and purely sensory and almost instinctive.<\/p>\n<p><b>Is there anything you\u2019d change about your career path so far?<\/b><\/p>\n<p>Again, the use of the word \u2018career\u2019\u2026 I promise I\u2019m not trying to be one those smarmy \u2018it\u2019s just about the music, maaan!\u2019 sort of people. But I suppose that\u2019s one thing I\u2019m very satisfied with, the un-careery way that I still produce music. I still like to self-release stuff online for free, for example, which I\u2019ve done since I was 12.<\/p>\n<p><b>For someone so successful at such an early age, it\u2019s interesting you haven\u2019t signed to a major label. Is that a conscious decision on your part?<\/b><\/p>\n<p>If you\u2019re asking if I have a \u201cfuck the majors\u201d sort of philosophy, it\u2019s not quite that. They serve a purpose for people with a particular type of dream that I don\u2019t share. I like to try and accomplish what I want as simply as possible, and major labels do not operate simplistically. Or flexibly, or very ethically.<\/p>\n<p><b>One of your songs is 16 minutes long, which is a very bold move, tell us about that?<\/b><\/p>\n<p>On my previous LP most of the songs were around two minutes long and very densely packed. I like writing longer songs sometimes as a contrast, because there\u2019s more space to develop certain motifs, and remove them and re-interpolate them later on in the piece, and experiment with repetition and the ways that challenging perseverance can affect the way a listener interprets a piece of music. I was thinking recently about the title track from Swans\u2019\u00a0<i>The Seer\u00a0<\/i>and the weird effect time has on the motifs in that piece. Isn\u2019t it strange how the final section of \u201cThe Seer\u201d is so much more gratifying when it\u2019s preceded by a quarter-hour of thundering, sustained, dissonant chords? Like you\u2019ve had to trudge through all this abstraction to get to the groovy bit; like you\u2019ve been rewarded for persevering. It just wouldn\u2019t sound as good if those final four minutes were a standalone track. Long songs allow you to explore stuff like that, I suppose.<\/p>\n<p><b>Who would you say are you biggest musical influences?<\/b><\/p>\n<p>Hearing Frank Zappa when I was 13 changed the way I thought about playing and writing music. I know that\u2019s a bit of a clich\u00e9 but literally \u2026 I\u2019d say he\u2019s important as an influence particularly because I rarely if ever revisit his work but so much of what he did still subconsciously finds its way into what I do (a fetishising of odd time signatures + structures, musique concr\u00e8te, use of dialogue, aspiring to virtuosity and playfulness in equal measure, a lack of regard for genre distinctions, varying your output\u2026). Like, he is just a part of the way I think about music, whether I like it or not, permanently printed into my brain.<\/p>\n<p><em>Kiran Leonard&#8217;s new album\u00a0Grapefruit\u00a0will be released through\u00a0<a href=\"http:\/\/smarturl.it\/KLGrapefruit\">Moshi Moshi<\/a>\u00a0on 25th March and he\u00a0<a href=\"http:\/\/pruelewarne.tumblr.com\/gigs\">tours in January<\/a>.<\/em><\/p>\n<p><strong>WORDS:\u00a0<\/strong>Lizzy Nicholson<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wise, refreshing and critically acclaimed, what more do you want in an up-and-coming musician?<\/p>\n","protected":false},"author":4,"featured_media":61178,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9419,9412],"tags":[7807,1308],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>New Noise: Kiran Leonard | Wonderland 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