You\u2019re part of Bromance, tell us about that.<\/strong><\/p>\nBromance is my family, my label, my workplace, everything. Since Brodinski started this label a few years ago, we released more than twenty collections, from hard techno to experimental music, and we all feel very proud of what has been accomplished so far. We also tour together around the world, and there is no better way to build a close relationship.<\/p>\n
It feels like the best is yet to come.<\/p>\n
Tell us about your work with the group Club cheval and how that came about?<\/strong><\/p>\nWe created Club cheval five years ago with the idea of gathering general ideas about music and art. It was, at first, more like a think tank or a collective that would help us with our solo careers. Later, we decided to actually start making music together, and four years later, we have an album ready to be released (in early 2016) and have managed to create a really sick live show (no turntables, only instruments). We are so excited about showing the world what we have been cooking for years.<\/p>\n
You\u2019re French but often the lyrics in your songs are English, what made you make this decision?<\/strong><\/p>\nAs weird as it can seem, I think French is the best language for written poetry and for literature, but there\u2019s something about it that makes it less musical than some other languages. I love French rap, but outside of that, I think French is such a weird language that it\u2019s hard to express some emotions without seeming like you\u2019re rewriting a weak version of a classic Baudelaire book.<\/p>\n
I use English because that\u2019s the language I listen to the most. It\u2019s super musical, super flexible (way more than French), and it\u2019s easy for me to write in English. I wish I could start working in other languages though, nothing is eternal and my love for English in songs might fade away one day.<\/p>\n