{"id":57535,"date":"2015-09-28T12:48:07","date_gmt":"2015-09-28T12:48:07","guid":{"rendered":"http:\/\/www.wonderlandmagazine.com\/?p=57535"},"modified":"2015-09-28T12:48:07","modified_gmt":"2015-09-28T12:48:07","slug":"mfw-marni-ss16","status":"publish","type":"post","link":"https:\/\/www.wonderlandmagazine.com\/2015\/09\/28\/mfw-marni-ss16\/","title":{"rendered":"MFW: Marni SS16"},"content":{"rendered":"

Marni SS16 was full of the fierce originality and intellectualism we have come to expect from the brand.\u00a0<\/p>\n

\"_MAR0129_426x639_1\"<\/a><\/p>\n

Constructed Shapes<\/b><\/p>\n

The ever eccentric and subversive Consuelo Castiglioni was interested in \u201cusing abstraction to question the status quo\u201d this season at Marni. High-minded rebelliousness as always, then, and this time with an architectural bent, as Castiglioni presented a collection full of pieces that were preoccupied with their own structural qualities at the expense of being conventionally form-fitting; many tops and dresses seemed to stiffly hold their own shape, paying little heed to the bodies beneath them \u2013 the last three looks in particular were like moving sculptures that protruded out from the shoulder and the leg in diagonally cut blackness as if cut from midnight granite.<\/p>\n

Obstinately Seductive<\/b><\/p>\n

An awkward sounding prospect perhaps \u2013 and those last ensembles were certainly unconventional \u2013 but, as is so often the case with Marni, the awkward, the boxy, and the deliberately strange are carried off and cut with such flourish and elegance that it\u2019s hard to resist their peculiar charm. Vivid leaf prints were formed into dresses or peeped from beneath in the form of sleeves; sleeves, indeed, were variously wide and, in the case of two eye-catching bomber dresses, puffed-up and inflated into typically architectural curves before cascading down into ribbed-cuffs.<\/p>\n

Layered Illusions<\/b><\/p>\n

Tabards, tunics and various other cuts which made discerning the separate garments in an outfit difficult were all present and correct, as was a heavy use of panelling (another structural nod to the world of building design), often in asymmetrical and complicated ways that exposed the layers beneath. The closest Marni comes to visible branding is their trademark circle pattern, which was riffed on via looks comprised entirely of stitched-together circular pieces \u2013 designed to look a little like brightly coloured plastic discs \u2013 placed over black scuba body pieces. These scuba-suits turned up time and again, and helped to emphasise the sense that the body itself was really just an anonymous shadow over which to drape Castiglioni\u2019s flights of genius-fancy: it was clever, charming, and ever so Marni.<\/p>\n

\"_MAR0059_426x639_1\"<\/a><\/p>\n

\"_MAR0097_426x639_1\"<\/a><\/p>\n

\"_MAR0111_426x639_1\"<\/a><\/p>\n

\"_MAR0035_426x639_1\"<\/a><\/p>\n

\"_MAR0021_426x639_1\"<\/a><\/p>\n

Words<\/b>: Benji Walters<\/p>\n","protected":false},"excerpt":{"rendered":"

Marni SS16 was full of the fierce originality and intellectualism we have come to expect from the brand.\u00a0<\/p>\n","protected":false},"author":4,"featured_media":57546,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9418],"tags":[1770,974,7430,7033],"acf":[],"yoast_head":"\nMFW | Marni SS16 | Wonderland Magazine<\/title>\n<meta name=\"description\" content=\"Marni SS16 was full of the fierce originality and intellectualism we have come to expect from the brand.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.wonderlandmagazine.com\/2015\/09\/28\/mfw-marni-ss16\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MFW | Marni SS16 | Wonderland Magazine\" \/>\n<meta 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