{"id":55159,"date":"2015-09-02T12:18:15","date_gmt":"2015-09-02T12:18:15","guid":{"rendered":"http:\/\/www.wonderlandmagazine.com\/?p=55159"},"modified":"2015-09-02T12:19:06","modified_gmt":"2015-09-02T12:19:06","slug":"conversation-mikky-ekko","status":"publish","type":"post","link":"https:\/\/www.wonderlandmagazine.com\/2015\/09\/02\/conversation-mikky-ekko\/","title":{"rendered":"IN CONVERSATION: Mikky Ekko"},"content":{"rendered":"

From his gospel choir roots and his love of acapella music \u2013 newcomer Mikky Ekko\u2019s debut LP is a diverse and eclectic take on \u2018pop\u2019 music. We caught up with the Nashville Native on the eve of its UK release.<\/p>\n

\"Mikky\"<\/a><\/p>\n

\u201cI\u2019ve been laboring over this child for ages and I\u2019m not saying I know what childbirth feels like but I do know what it feels like to finally get this album off my back\u201d so says Louisana newcomer Mikky Ekko of his debut LP Time<\/i> \u2013 which is set to hit the UK\u2019s not so sunny shores this week.<\/p>\n

And whilst the comparisons of debut albums and a first-born might cause some to dismissively shrug their shoulders \u2013 what can\u2019t be argued is the quality of the final result.<\/p>\n

As bold debuts go, Time <\/i>is up there with the best of 2015. An eclectic collection of 15 tracks that sit somewhere on the \u2018pop music\u2019 spectrum or in the words of Mikky; \u201cIf I had to label it, it would probably be \u2018Experimental Pop\u2019 because I was experimenting with a lot of different things and a lot of different genres on this album.\u201d<\/p>\n

And it\u2019s this diverse mix of sounds \u2013 whittled down from around 250 tracks \u2013 that make the 15-track debut so impressive. Flexing his proverbial muscles in the musical sense, Mikky\u2019s background is as diverse as one would expect.<\/p>\n

Growing up in rural America, he spent much of his youth singing in churches with his preacher father. Something that resulted in a love for acapella music; \u201cThat\u2019s actually how I taught myself to write because I couldn\u2019t really play an instrument and I liked the way I did things. A lot of what I did on the front end would be stomps and claps, and then I would sing the bass line and sing what I thought should be the guitar line or the string line. Eventually, I realised there was a style I had there that I really liked.\u201d<\/p>\n