{"id":51630,"date":"2015-06-14T11:46:21","date_gmt":"2015-06-14T11:46:21","guid":{"rendered":"http:\/\/www.wonderlandmagazine.com\/?p=51630"},"modified":"2015-06-17T15:39:46","modified_gmt":"2015-06-17T15:39:46","slug":"lcm-matthew-miller-ss16","status":"publish","type":"post","link":"https:\/\/www.wonderlandmagazine.com\/2015\/06\/14\/lcm-matthew-miller-ss16\/","title":{"rendered":"LCM: Matthew Miller SS16"},"content":{"rendered":"
Matthew Miller’s crumpled take on frayed at the edges workwear will have you eager to do overtime.<\/p>\n
<\/a><\/p>\n \u201cConform \/ Control \/ Restraint\u201d<\/strong><\/p>\n For SS16, Matthew Miller riffed on that self-imposed modern uniform that millions wear every day – namely, workwear – and made us all wish we worked in an office. Slender models with the blank stare of the desktop drone moved monotonously to Savages\u2019 words: \u201cdon\u2019t let the fuckers get you down, don\u2019t let them wonder why you frown\u201d. Wide and double-breasted jackets were worn with cropped pants and Robert Clergerie\u00a0shoes.. Short-sleeved tunics were shown over white shirts and ties, a staple which underpinned many of the looks.<\/p>\n Crumpled paper<\/strong><\/p>\n Creased linen created volume in long line coats, suiting and tunic dresses for the girls, reminiscent of contents of wastepaper basket. Possibly, it was a reference to the crumpled feeling one might get in a lifetime of bureaucratic slavery. Offset by a simple palette of peach, white and navy, though the textures contorted the silhouette, the collection seemed no less wearable for it.<\/p>\n Raw edging<\/strong><\/p>\n Frayed edging was a motif running through the production line-like carousel, from suiting to sweatshirts. Patchworks of frayed details on sweaters and tunics added a subtle grunge edge to the otherwise sterile-clean collection. Longer length tunics, worn under sharp jackets, literally added an edge to the storyline of the desk-based rebel.<\/p>\n <\/a><\/p>\n <\/a><\/p>\n