{"id":51152,"date":"2015-06-09T11:00:32","date_gmt":"2015-06-09T11:00:32","guid":{"rendered":"http:\/\/www.wonderlandmagazine.com\/?p=51152"},"modified":"2016-09-22T14:33:26","modified_gmt":"2016-09-22T14:33:26","slug":"new-noise-chloe-black","status":"publish","type":"post","link":"https:\/\/www.wonderlandmagazine.com\/2015\/06\/09\/new-noise-chloe-black\/","title":{"rendered":"New Noise: Chloe Black"},"content":{"rendered":"

Goth meets Hollywood glamour in Chloe Black. We sit down with the singer to investigate her obsession with the infamous 27 Club.<\/p>\n

\"Chloe<\/a><\/p>\n

Born in Australia, Chloe Black has landed in London by way of Paris and the West Coast of the US. Rising up the ranks this year, she’s already supported Maverick Sabre and Rag’N’Bone Man and is working with the brains behind Iggy Azalea’s “Fancy”, Arcade. Her first release “27 Club” won her first place at the top of Hype Machine with over 100,000 plays in its first week and now, she’s the soundtrack to ITV Drama, ‘DCI Banks’.<\/p>\n

With all the opulent doom and gloom of Lana Del Rey, Chloe’s vocal soars on her chorus juxtapose her purrs and pouts perfectly. As she sings about the lives lost to the 27 Club over the years, she bounces from name to name, matched with staccato keys, giving the song a pop rhythm beneath it’s surface drama. We find out more about Chloe and her “abnormal fixation with death” and her tendency to swear like a trooper onstage.<\/p>\n