{"id":50486,"date":"2015-06-01T12:07:52","date_gmt":"2015-06-01T12:07:52","guid":{"rendered":"http:\/\/www.wonderlandmagazine.com\/?p=50486"},"modified":"2016-09-22T14:27:26","modified_gmt":"2016-09-22T14:27:26","slug":"get-heart-racing-skin-tight-jeans","status":"publish","type":"post","link":"https:\/\/www.wonderlandmagazine.com\/2015\/06\/01\/get-heart-racing-skin-tight-jeans\/","title":{"rendered":"Profile:  Faustine Steinmetz"},"content":{"rendered":"<p>Intelligently outspoken, with sustainable fabrics and ethical production \u2013 Faustine Steinmetz is pushing against the fashion grain.<!--more--><\/p>\n<p><a href=\"\/\/media.wonderlandmagazine.com\/uploads\/2015\/05\/Screen-Shot-2015-05-27-at-10.52.56.jpg\"><!--more--><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter size-large wp-image-50491\" alt=\"Screen Shot 2015-05-27 at 10.52.56\" src=\"\/\/media.wonderlandmagazine.com\/uploads\/2015\/05\/Screen-Shot-2015-05-27-at-10.52.56-786x1024.jpg\" \/><\/a><\/p>\n<p ><em>White cotton ribbing turtleneck top by FAUSTINE STEINMETZ<\/em><\/p>\n<p ><em>Taken from the Summer issue of Wonderland.<\/em><\/p>\n<p >Faustine Steinmetz isn\u2019t too happy with fashion. \u201cI\u2019ve seen Kim Kardashian on the front of too many magazines,\u201d she sighs. \u201cDuring Fashion Week my Instagram was entirely about her changing hair colour.\u201d If you needed to single out the person least interested in what\u2019s on top of Kim Kardashian\u2019s head, I\u2019d take a gamble it\u2019s Faustine. As we sit in her studio in Seven Sisters surrounded by pieces of her trademark soft, woven denim it becomes clear that the kind of fashion funding ad-riddled magazines and self-loathing is not welcome here.<\/p>\n<div title=\"Page 2\">\n<p>Growing up in Paris, Faustine was drawn to London by books about young designers like Ann-Sofie Back that she found in the Georges Pompidou library. \u201cIt felt like something really cool was happening there and France was completely the opposite, then Nu Rave happened and I was set on it,\u201d she laughs. \u201cWe were following it on MySpace.\u201d After finishing her BA she hopped over the Channel to Central Saint Martins, by which time Nu Rave was sadly a distant dream, but luckily she found herself surrounded by other fiercely driven young designers including Marques\u2019Almeida, Phoebe English, Craig Green and Leutton Postle. I wonder if it was at this point, getting stuck in at Saint Martins, that Steinmetz felt as though she\u2019d found her own community. She shakes her head. \u201cNot really,\u201d she laughs. \u201cI\u2019ve always been like that, I\u2019ve never been one of the cool kids. I tried really hard when I was a teenager, but I need my time to be alone and to be with my books.\u201d To say she\u2019s a conscientious designer feels like an understatement: thanks to all those hours spent with her books, the amount of research and skill going into her work is immediately apparent. Later on in our conversation Steinmetz expresses a desire to create pieces that are less fashion and more like \u201cobjets d\u2019art\u201d \u2013 if she isn\u2019t there yet, then she\u2019s really not far off.<\/p>\n<p>This season saw her experiment with tactile smears of paint, trompe l\u2019oeil orange stitching and an almost pony skin-like print smattered upon white. The collection was inspired by artist Matthew Stone, who Steinmetz was particularly fascinated with this season. \u201cHe tries to replicate something ancient and classical with new means, that\u2019s why I did the felted pieces and the smudges, it was all about painting,\u201d she says. It was also all about fabric, as it consistently has been since Steinmetz discovered that \u2013 much like that age-old and wholly inappropriate adage \u2013 once you go hand-made you never go back. \u201cI make the fabric no matter what,\u201d she asserts, and from loom to rail a single piece of clothing can take upwards of a day and a half to create. Luckily, despite this fundamental emphasis on handicraft, there are plans to expand the line of production in wake of the success of the past few seasons. \u201cWe\u2019ve decided to have five main pieces, my fun things I can be happy with, and then make the fabric for the samples in the show but translate it to be made by machines in the future,\u201d explains Steinmetz, giving us all hope of one day (within our lifetime) wearing a piece ourselves.<\/p>\n<p>Figuring out how to tread that fine line between precious and practically unsustainable is an issue plaguing several designers who are keen to move away from mass-produced, readily commercialised fashion, but Steinmetz doesn\u2019t seem too worried. \u201cI\u2019m quite realistic about it, what\u2019s important is just to have those main pieces that are made by hand, otherwise it\u2019s not worth it for me.\u201d<\/p>\n<p>As well as her determination to maintain unique processes behind her collections, Steinmetz is refreshingly outspoken about the wider concerns over elements of production within the fashion industry, in which 99 percent of other designers would rather avert their eyes and talk about Kim Kardashian\u2019s new hair. A steadfast decision to ban fur and leather (and unsustainable fabrics wherever possible) from her line makes her one of few people ready to engage with the less glamorous aspects of being a designer. \u201cI don\u2019t think I have an ethical brand and I don\u2019t want to have an \u2018ethical\u2019 label,\u201d Steinmetz explains. \u201cBut I want to be responsible as a person. When I started I did a few of my labels in leather because I thought, like a lot of people do, that the leather was from animals that we eat \u2013 that\u2019s not true. 50 million animals a year are killed for clothes.\u201d Flanked by her two (adorable) dogs, she goes on. \u201cI\u2019ve seen videos of Labradors being skinned, it doesn\u2019t get worse than that. We all cried over 101 Dalmations when we were kids and now we\u2019re all complicit.\u201d<\/p>\n<p>Long after leaving Steinmetz\u2019s studio, her final sentiment stays with me. I still can\u2019t quite shake it. Faustine Steinmetz is challenging absolutely everything about what it is to be a designer in 2015; she\u2019s refusing to be complicit with an industry she\u2019s \u201calways loved, but at the same time always hated\u201d and is instead re-imagining everything in her own way \u2013 from the fabric, to the production, to the rejection of mainstream fashion. Clearly, sometimes it\u2019s the quietest people that have the loudest voices. So, Faustine Steinmetz might be a quiet one, but if you listen closely, she\u2019s got more to say than most of the rest of us put together. She\u2019s just not shouting about it. Yet.<\/p>\n<\/div>\n<p><a href=\"\/\/media.wonderlandmagazine.com\/uploads\/2015\/05\/Screen-Shot-2015-05-27-at-10.53.12.jpg\"><img decoding=\"async\" class=\"aligncenter size-large wp-image-50492\" alt=\"Screen Shot 2015-05-27 at 10.53.12\" src=\"\/\/media.wonderlandmagazine.com\/uploads\/2015\/05\/Screen-Shot-2015-05-27-at-10.53.12-796x1024.jpg\" \/><\/a><\/p>\n<p ><em>White cotton ribbing turtleneck top, hand felted wool and cotton skirt, hand woven bag in cotton and copper and white shoes by JULIA THOMAS x FAUSTINE STEINMETZ<\/em><\/p>\n<p ><a href=\"\/\/media.wonderlandmagazine.com\/uploads\/2015\/05\/Screen-Shot-2015-05-27-at-10.52.38.jpg\"><img decoding=\"async\" class=\"aligncenter size-large wp-image-50489\" alt=\"Faustine\" src=\"\/\/media.wonderlandmagazine.com\/uploads\/2015\/05\/Screen-Shot-2015-05-27-at-10.52.38-780x1024.jpg\" \/><\/a><\/p>\n<p ><em>White cotton ribbing turtleneck top, hand painted silver hair clip and brooch by LARA JENSEN x FAUSTINE STEINMETZ, denim hand painted jeans and shoes by JULIA THOMAS x FAUSTINE STEINMETZ<\/em><\/p>\n<p><a href=\"\/\/media.wonderlandmagazine.com\/uploads\/2015\/05\/Screen-Shot-2015-05-27-at-10.53.35.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-50494\" alt=\"Screen Shot 2015-05-27 at 10.53.35\" src=\"\/\/media.wonderlandmagazine.com\/uploads\/2015\/05\/Screen-Shot-2015-05-27-at-10.53.35-737x1024.jpg\" \/><\/a><\/p>\n<p ><em>Blue American cotton denim jeans, black vegan leather hand painted shoes by JULIA THOMAS x FAUSTINE STEINMETZ and bracelet and necklace hand painted on silver by LARA JENSEN x FAUSTINE STEINMETZ<\/em><\/p>\n<p ><strong>Photographer:<\/strong> Anna Victoria Best<\/p>\n<p ><strong>Fashion Editor:<\/strong> Lola Chatterton<\/p>\n<p><strong>Words:<\/strong> Bertie Brandes<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Intelligently outspoken, with sustainable fabrics and ethical production \u2013 Faustine Steinmetz is pushing against the fashion grain.<\/p>\n","protected":false},"author":4,"featured_media":50498,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9418,9409],"tags":[7021,7022],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.2 - 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