{"id":4867,"date":"2012-02-01T13:49:23","date_gmt":"2012-02-01T13:49:23","guid":{"rendered":"http:\/\/www.wonderlandmagazine.com\/?p=4867"},"modified":"2012-02-08T11:48:52","modified_gmt":"2012-02-08T11:48:52","slug":"emerging-p-nicolas-ledoux","status":"publish","type":"post","link":"https:\/\/www.wonderlandmagazine.com\/2012\/02\/01\/emerging-p-nicolas-ledoux\/","title":{"rendered":"EMERGING&#8230; P. Nicolas Ledoux"},"content":{"rendered":"<p>Paris\u2019s Galerie Magda Danysz is hosting a solo show by French conceptual artist P. Nicolas Ledoux. Through collaborations with other artists and reinventions of established art, Ledoux self-reflexively criticizes and examines the art world as it currently stands. The multifaceted print artist offers <em>Wonderland<\/em> a glimpse of the artistic process behind his latest exhibit.<\/p>\n<p><!--more--><div id='gallery-1' class='gallery galleryid-4867 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/02\/Picture-85.jpg'><img width=\"345\" height=\"483\" src=\"https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/02\/Picture-85-345x483.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/02\/Picture-84.jpg'><img width=\"345\" height=\"483\" src=\"https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/02\/Picture-84-345x483.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/02\/Picture-83.jpg'><img width=\"345\" height=\"483\" src=\"https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/02\/Picture-83-345x483.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/02\/Picture-82.jpg'><img width=\"345\" height=\"483\" src=\"https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/02\/Picture-82-345x483.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/02\/Picture-86.jpg'><img width=\"345\" height=\"483\" src=\"https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/02\/Picture-86-345x483.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/02\/Picture-88.jpg'><img width=\"345\" height=\"483\" src=\"https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/02\/Picture-88-345x483.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n<\/p>\n<p><strong>What are your influences and inspirations?<\/strong><\/p>\n<p>My work feeds off influences and references in art history. I rewrite the histories of art \u2014 observing, analyzing, criticizing the art system and its marketing or financialization, for example. The world of art is, to me, a model of an ultra-liberal society. It is my main influence, with the well-known artists&#8217; work\u2014dead or alive\u2014that I appropriate, recycle, and recontextualize.<\/p>\n<p><strong>With your art in general, what do you try to examine?<\/strong><\/p>\n<p>The recovery and neutralisation of what is essential to art: the subversive function.<\/p>\n<p><strong>There are a lot of mediums utilised in the show. What are they, and what do they examine?<\/strong><\/p>\n<p>I am a conceptual artist who uses fairly traditional techniques. I&#8217;m looking for the paradox. I do not want to lock myself in a single technique. I work with print\u2014whether digital or manual, or both at once. My paintings are by artists who are much better than me. For this exhibition, my friend Ga\u00ebl Davrinche&#8217;s work is used.<\/p>\n<p><strong>You worked with Damien B\u00e9guet, Pierre Belo\u00fcin and Ga\u00ebl Davrinche for the show. How did you all collaborate on this exhibition?<\/strong><\/p>\n<p>It is important for me as an artist to challenge myself and compare my work to other artists&#8217;. The best way to accomplish this is to work with many hands. It is also stronger\u2014a bit like a rock band: solo albums, collaborations, live shows. According to the interests and peculiarities of each person, we think about our desires and our questions.<\/p>\n<p><strong>How did you use the minimal gallery space for your show?<\/strong><\/p>\n<p>I work within the context of each individual show very extensively, such as the place (its image and architecture). A gallery exhibition is also an exercise in style\u2014different institutional spaces of art and projects infiltrate the city. So, I play with the codes of the gallery and propose classic pieces\u2014installations that I present in the form of prints.<\/p>\n<p><strong>In some of your prints, the accompanying text says, \u201cArt as idea as idea.\u201d What does the phrase mean to you?<\/strong><\/p>\n<p>\u201cArt as idea as idea\u201d is a reference to a series of works by Joseph Kosuth and, by extension, a definition of conceptual art. To this, I add \u201cAs money as money\u201d\u2014expressing the reality of a radical movement in the 60s that valued the idea of the subject and which now has been overtaken by the art market.<\/p>\n<p><strong>What do you hope to do next with your art?<\/strong><\/p>\n<p>I hope to continue to show in good conditions, make my art more relevant and sharp, and avoid becoming seduced by the illusion of success. I want to meet with curators and museum directors with whom I could construct interesting projects and provoke. I would also like to get to know more about a project that is close to my heart: a library of contemporary art on the iPad, in which I participate, <a href=\"http:\/\/www.artbookmagazine.com\">Art Book <\/a>magazine.<\/p>\n<p><a href=\"http:\/\/www.magda-gallery.com\">Galerie Magda Danysz<\/a><br \/>\n<a href=\"http:\/\/www.pnicolasledoux.fr\"> P. Nicolas Ledoux<\/a><br \/>\n<em><br \/>\nLedoux&#8217;s show started on Saturday at Galerie Magda Danysz at runs until February 25th.<\/em><br \/>\n<em>Words: Noel Duan<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paris\u2019s Galerie Magda Danysz is hosting a solo show by French conceptual artist P. Nicolas Ledoux. Through collaborations with other artists and reinventions of established art, Ledoux self-reflexively criticizes and examines the art world as it currently stands. The multifaceted print artist offers Wonderland a glimpse of the artistic process behind his latest exhibit.<\/p>\n","protected":false},"author":4,"featured_media":4874,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[305],"tags":[305,1642,1641,1078],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>EMERGING... P. Nicolas Ledoux | Wonderland<\/title>\n<meta name=\"description\" content=\"EMERGING... P. Nicolas Ledoux.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.wonderlandmagazine.com\/2012\/02\/01\/emerging-p-nicolas-ledoux\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"EMERGING... P. 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