{"id":47315,"date":"2015-03-17T09:52:34","date_gmt":"2015-03-17T09:52:34","guid":{"rendered":"http:\/\/www.wonderlandmagazine.com\/?p=47315"},"modified":"2016-09-22T14:33:28","modified_gmt":"2016-09-22T14:33:28","slug":"new-noise-courtney-barnett","status":"publish","type":"post","link":"https:\/\/www.wonderlandmagazine.com\/2015\/03\/17\/new-noise-courtney-barnett\/","title":{"rendered":"New Noise: Courtney Barnett"},"content":{"rendered":"

Ahead of her appearance at SXSW and debut album release, we caught up with Aussie singer, Courtney Barnett.<\/p>\n

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Courtney Barnett is cooler than you. She’s cooler than everyone, actually, without even really trying. The singer and part-time illustrator has become flavour of the month (for about twelve of them) with her deadpan singing style, mess of brown curls and memorable lyrics. Her Melbourne twang is endearingly noticeable in every song and her voice is full of personality, half singing, half speaking, she throws away words with a discernible attitude, sometimes with a gravelly growl, others hollering out to whoever’s listening.<\/p>\n

Her track “Pedestrian At Best” is all about a street performer and the video is just as enjoyable as the music. We see Barnett dressed as a miserable clown, wreaking havoc everywhere she goes in fairground, preaching, “put me on a pedestal, and I’ll only disappoint you, tell me I’m exceptional, I’ll promise to exploit you.” A comment on the short-lived nature of fame and fortune? Perhaps. A loose, punk-injected record with super-satisfying lyrics? Definitely. The fact she released it on her own label, Milk! Records just makes it even better.<\/p>\n