{"id":46462,"date":"2015-03-05T12:11:53","date_gmt":"2015-03-05T12:11:53","guid":{"rendered":"http:\/\/www.wonderlandmagazine.com\/?p=46462"},"modified":"2015-03-05T12:11:53","modified_gmt":"2015-03-05T12:11:53","slug":"twos","status":"publish","type":"post","link":"https:\/\/www.wonderlandmagazine.com\/2015\/03\/05\/twos\/","title":{"rendered":"Two’s Up"},"content":{"rendered":"

Interviews? Journalists? Nah. We asked three of the new year’s best bands to quiz amongst themselves.<\/p>\n

\"RELICS<\/a><\/p>\n

RELICS<\/strong><\/p>\n

If you been to any of their raucous, paint-stripping gigs in and around London, you\u2019d be surpassed to know that Alex Glover, lead singer of shoegazing foursome Relics, spends half his time in hair and makeup. Take another look, and the\u00a0AntiAgency-signed model is a sight for sore eyes. Equally hot is their debut single, sensitive\u00a0dreampop\u00a0rocker \u201cStraight to Heart\u201d.\u00a0 Though only two of the guys could make our shoot, they were more than happy to grill each other on their sound, and plans to release a debut EP later this year. Here\u2019s how it played out.<\/p>\n

Theo\u00a0Alexander<\/strong>: So, the two of us met in the band\u2026<\/p>\n

\n

Alex Glover<\/strong>: Well, James and I formed a band together when we were teenagers – but we just stopped because of other things going on,\u00a0then\u00a0James met you\u00a0 at\u00a0university\u00a0and came to me saying \u201cI know this guy Theo, he\u2019s half Chinese – we\u2019d look good together\u201d.<\/p>\n<\/div>\n

\n

Theo: When we met I asked where you were from and you said \u201cI\u2019m Chinese actually\u2026\u201d<\/p>\n<\/div>\n

\n

Alex: So you asked \u201cwhat kind of Chinese\u201d, and I said \u201cMalaysian Chinese\u201d, \u201cno way! I\u2019m Malaysian Chinese too, where\u2019s your dad from?\u201d<\/p>\n<\/div>\n

\n

Theo: My dad\u2019s from Kuching.<\/p>\n<\/div>\n

\n

Alex: Oh shit my mum\u2019s from Kuching, a tiny little town in Malaysia. That\u2019s weird. Shit. You play guitar too?<\/p>\n<\/div>\n

\n

Theo: The rest is history.<\/p>\n<\/div>\n

\n

Alex: So, at the minute our music\u2019s quite rhythmic.<\/p>\n

Theo: Yeah it is. I think, before, \u2018fuzzy, warm cloud\u2019 was a good description \u2013 but now it\u2019s getting more rhythmic and divided, our guitars are working in harmony and it\u2019s sharper.<\/p>\n

Alex: Over the course of the\u00a0 year we had a sort of wall of noise, now we\u2019re stripping it\u00a0 back and it\u2019s becoming dryer.<\/p>\n

\n

Theo: You dried out your guitar and I dried out my guitar, then we hung them up and took them back in, right?<\/p>\n

Alex: Yeah hung them up to dry (laughing). We sing more with each other now as well; it used to be just basically me singing. One time we did a sound check, when it was just us doing our vocals, this photographer said \u201cit\u2019s quite gospel, that\u201d. That was nice, I\u2019d never heard that before.<\/p>\n<\/div>\n

\n

Theo: I don\u2019t think Relics have ever actually done a whole shoot together?<\/p>\n<\/div>\n

\n

Alex: Yeah we\u2019ve done shoots but not like a magazine shoot yet.<\/p>\n<\/div>\n

\n

Theo: It was interesting to play the roles of different bands today.<\/p>\n<\/div>\n

\n

Alex: Yeah living vicariously through the Pet Shop Boys (referring to the style of the shoot). Actually when I was 17, I was a waiter and I served one of the Pet Shop Boys, so this has kind of come full circle now \u2013 now I am a Pet Shop Boy (laughing).<\/p>\n<\/div>\n

\n

Theo: You know what we were saying the other day, usually we dress quite smart, almost like we are going to work.<\/p>\n<\/div>\n

\n

Alex: I\u2019d say we naturally dress all very similarly. Neat\u00a0hair cuts, shirts, trousers \u2013 apart from that one time James started wearing Franz Ferdinand T-shirts. He wore it to rehearsal and we all looked at him like death: \u201cwhat the fuck is that\u201d?<\/p>\n<\/div>\n

\n
\n

Alex: We\u2019ve been playing a lot in London recently.<\/p>\n<\/div>\n

\n

Theo: We\u2019re all from London, so we\u2019re trying to get a good base in our hometown.<\/p>\n

Alex: We\u2019re from different parts originally but we\u2019ve all lived in East for about eight years. I feel like recently we\u2019ve been a curse on the bars we\u2019ve been playing \u2013 like Buffalo Bar just announced it\u2019s closing down and Madame\u00a0Jojos\u00a0announced the same yesterday, we only played White Heat about two months ago!<\/p>\n<\/div>\n

\n

Theo: The Lock Tavern is our\u00a0favourite\u00a0though.<\/p>\n

Alex: We mutually agree on that \u2013 we\u2019ve played there three or four times in the space of a year. It\u2019s the worst sound ever, there are no sound checks, no monitors, nothing is mic\u2019d up it\u2019s all like a rehearsal room. You can\u2019t buy that kind of vibe.<\/p>\n<\/div>\n

\n

Theo: And the stage is ridiculously small so, yeah, we\u2019ve fallen over a few times.<\/p>\n

Alex: But it forces you to think a bit more as well, because nothing is right and nothing works as it should.<\/p>\n<\/div>\n

\n

Theo: Usually casualties \u2013 but always worth it.<\/p>\n

Alex: You smacked some poor girl in the front with your guitar. But she kept dancing!<\/p>\n

\"RELICS<\/a><\/p>\n

 <\/p>\n

PALE<\/strong><\/p>\n

\"PALE\"<\/a><\/p>\n

These days, you only have to release a lilting synth-pop EP and you\u2019re met with a barrage of boring XX and How To Dress Well comparisons. Just ask exciting new London duo Pale, who in September self-released their first EP The Comeback.\u00a0Produced by Adam Jaffrey (former basis of enigmatic doom poppers Trailer Trash Tracys), standout track \u201cComeback\u201d is anything but skeletal and cold, like the work of many of their contemporaries. Instead it\u2019s heartbroken but wrapped in warm garms. Soft electronics support lead singer Adam Pownall\u2019s opening pleas, \u201cI can\u2019t live up to your highs and lows\u2026I don\u2019t need to need to know you\u2019re coming back.\u201d The twosome\u00a0 go deeper here.<\/p>\n

Alan<\/strong>: I\u2019ve been answering quite a lot of questions via email, so I\u2019m really interested to know how you would describe our sound?<\/p>\n

Lee Canham<\/strong>: So you\u2019ve already got answers set up for everything?<\/p>\n

Alan: Not really because that\u2019s a particular question that\u2019s quite difficult to answer. Especially when you\u2019re a new a band, still very much trying to carve out a sound.<\/p>\n

\n

Lee: I don\u2019t think we really set\u00a0 a goal in what we were trying to achieve.<\/p>\n<\/div>\n

\n

Alan: I guess what we were trying to do was not be too calculated in creating a sound saying: \u201cthis is what we want to sound like – let\u2019s go sound like that.\u201d We wanted to sound authentic and like ourselves. So, the inspiration that we drew from wasn\u2019t conscious. We just sat down and put our skill set together and what came out was what came out. I kind of wanted our band to be a lot more classic post-punk, like imperfect pop songs for people with a slightly alternative taste. We were kind of limited by a number of things, plus there were only two of us so the synth electronic sound just came out of the fact we were writing on a laptop rather than a rehearsal space with guitars.<\/p>\n

Lee: I think living in London has made everything more of a struggle, perhaps, to survive and make music at the same time?<\/p>\n<\/div>\n

\n

Alan: That\u2019s true. I think London is really suffocating, from a creative point of view. I would be anywhere but London. I think that is the city these days. Everything is expensive, just doing anything is difficult\u2026 I think a lot of people move to London because they want to be where it\u2019s kind of \u2018happening,\u2019 but did you feel that coming to London?<\/p>\n<\/div>\n

\n

Lee: I had to move to London to step up what I was doing and meet people. It\u2019s much easier to meet people that are the next level of making music than in a small town.<\/p>\n<\/div>\n

\n

Alan: I do think that, ironically, \u2018the struggle\u2019 as you put it, is sort of inspiring without meaning for it to be. I think you and I, I certainly am, quite angry with the environment which I choose to be creative in. I think that it\u2019s something that is good for my creativity so to speak, maybe\u00a0 I\u2019ll look back on it and think \u201coh no that was ideal, now that I\u2019ve got all of the tools that I want in order to do what I want to do, now I\u2019m complacent,\u201d whereas before, I had this hunger that\u00a0 was driving me.<\/p>\n<\/div>\n

\n

Lee: I do like cities, just not this city\u00a0any more.<\/p>\n

Alan: This city would be great, if money wasn\u2019t an object. I think maybe people do care, but music, art, London is at a point where it\u2019s so lost that something has to change, give or represent change that is necessary and hopefully we can add some\u00a0colour\u00a0to that because that\u00a0 really does matter.<\/p>\n<\/div>\n

\n

Alan: When are you going to shave your \u2018tasche off Lee?<\/p>\n<\/div>\n

\n

Lee: When I get the guts! When are you going to shave your head?<\/p>\n<\/div>\n

\n

Alan: (Looks to me) This is not retaliation, he does actually ask me this on a regular basis. I have no plans, Lee, no plans to shave my head.<\/p>\n

VISION FORTUNE<\/strong><\/p>\n

\"VISION<\/a><\/p>\n

Since forming at a Belgium boarding school as preteens,\u00a0 brothers Austin and Alex\u00a0Puru\u00a0– Vision Fortune, to you and me – have sought to upset and confuse. Their debut album, May 2013\u2019s Mas Fiestas con el Grupo, married caterwauling psychedelia with low-end bass drone. Songs – more like dready, endless jams, really – would pound down for tens of minutes at a time.\u00a0 Then there\u2019s there was follow-up mixtape, the hilariously titled Titanic Part II: The Legend Goes On\u2026 (2000). A shift in a completely different direction, think of it as Can or Faust doing a minimal midnight funk set for\u00a0FabricLive. Now signed to ATP Recordings, the now\u00a0Londonbased\u00a0duo will release LP Country Music in February.\u00a0 Here, the brothers interview\u00a0 each other for\u00a0Rollacoaster.<\/p>\n

\n

Austin\u00a0Puru<\/strong>: We started the band in our boarding school in Belgium.<\/p>\n<\/div>\n

\n

Alex Puru<\/strong>:\u00a0When we were like\u00a013?<\/p>\n<\/div>\n

\n

Austin: Yeah, we were really influenced by The Beautiful South then, which is actually still quite an influence. Now our music is worse (both laugh) not as much like The Beautiful South! We should go back to The Beautiful South really.<\/p>\n

Alex: Yeah exactly, what\u2019s that film? 21 Jump Street? Yeah, we need to do something like that, but real life, go back to boarding school.<\/p>\n<\/div>\n

\n

Austin: Other than that, I guess I was really in to Oasis and you were really in to Blur?<\/p>\n<\/div>\n

\n

Alex: Yeah \u2013 and I really liked Pulp as a kid.<\/p>\n<\/div>\n

\n

Austin: Nah, the Gallagher brothers\u2026 I think the argument still goes on.<\/p>\n<\/div>\n

\n

Alex: Also, we do like Lil B.<\/p>\n<\/div>\n

\n

Austin: Yeah, but more influenced by Beautiful South, Lil B is just something we like \u2013 but we\u2019ve always been very similar. It\u2019s quite weird, always listening to the same stuff even when not living together. It\u2019s a brother thing.<\/p>\n

Alex: So, we were in Tuscany recently for research\u2026<\/p>\n<\/div>\n

\n

Austin: Yeah, our former drummer \u2013 he got deported because his visa ran out, he\u2019s Columbian. He\u2019s got a house in Tuscany.<\/p>\n<\/div>\n

\n

Alex: We still send\u00a0post cards\u00a0(laughs).<\/p>\n<\/div>\n

\n

Austin: Visas man, it fucking sucks. But anyway, it was a grant from his family so we could go to Tuscany and do some sound research out there.<\/p>\n

Alex: He\u2019s really close to a lot of woodlands and we just went on a lot of walks, there were a lot of wild boars and creatures, long walks in the Tuscan sunshine.<\/p>\n<\/div>\n

\n

Austin: Our music is really pastoral now, much sunnier. We were recording in this big Tuscan villa and there\u2019s one track where we use the wine cellars quite a lot and we had the sound of the wine cellar, so you had lots of different vintage wines kind of rambling around the track. By using the sound of the space that we were recording in, I think that\u2019s quite a big thing. When we get together [the music] just happens. It\u2019s very quick to make a decision. Working with just two of you it\u2019s just very easy, not joking, we don\u2019t talk when we make music together, just like don\u2019t need to.<\/p>\n<\/div>\n

\n

Alex: How could we describe the sound?<\/p>\n<\/div>\n

\n

Austin: Like Tuscan sunshine.<\/p>\n

Alex: Rolling Tuscan hills.<\/p>\n<\/div>\n

\n

Austin: Dramatic rolling Tuscan hills… Infused by vintage wine cellars and wild boars roaming in the distance (both laughing).<\/p>\n<\/div>\n

\n

Austin: We played in Tenerife last weekend it was incredible.<\/p>\n<\/div>\n

\n

Alex: We spent a lot of time in the Irish pubs there \u2013 I really liked those.<\/p>\n<\/div>\n

\n

Austin: But, no, Tenerife is actually really incredible. It was so hot, like 25 degrees November and we get to sun ourselves! That\u2019s the best thing. I don\u2019t know if we actually went, it was a dream. We went for the weekend and it was pissing it down when we went and pissing it down when we came back. Were we actually there? We want more sunny islands! We\u2019re playing Iceland, that won\u2019t be very warm.<\/p>\n

Alex: We don\u2019t really like playing London<\/p>\n<\/div>\n

\n

Austin: No, not at all, no one gets it. The crowds are always tame. We want them rowdy, like lads.<\/p>\n<\/div>\n

\n

Alex: So, next\u2026<\/p>\n<\/div>\n

\n

Austin: We move away. I don\u2019t know where though, maybe go back to Belgium.<\/p>\n<\/div>\n

\n

Alex: Maybe, yeah. We\u2019re playing America and Europe\u2026\u00a0Austin\u00a0And Iceland!<\/p>\n<\/div>\n

\n

(Manager cuts in)\u00a0You\u2019re going whilst it\u2019s 24-hour sunshine.<\/p>\n<\/div>\n

\n

Austin: Seriously? I\u2019m going to fucking go nuts in Iceland.<\/p>\n

Photographer<\/strong>: Hayley Louisa Brown<\/p>\n

Fashion Editor<\/strong>: Isabella Brunner<\/p>\n

Words<\/strong>: Maya Kellermann<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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