{"id":4357,"date":"2012-01-10T12:37:28","date_gmt":"2012-01-10T12:37:28","guid":{"rendered":"http:\/\/www.wonderlandmagazine.com\/?p=4357"},"modified":"2017-03-01T14:01:36","modified_gmt":"2017-03-01T14:01:36","slug":"new-noise-patten","status":"publish","type":"post","link":"https:\/\/www.wonderlandmagazine.com\/2012\/01\/10\/new-noise-patten\/","title":{"rendered":"NEW NOISE:  patten"},"content":{"rendered":"<p>Patten, whose sonically maximal long player GLAQJO XAACSSO emerged onto last year&#8217;s techno scene like a sticky grenade, continues to develop his sound in the coming months with a throw of live slots locked in. The notoriously evasive sound murderer offers <em>Wonderland<\/em> a glimpse into his colourful <a href=\"http:\/\/www.patttten.com\">otherworld<\/a>, ahead of his first show of the year at London&#8217;s <a href=\"http:\/\/thecamplondon.com\/\">CAMP<\/a> basement on the 19th.<\/p>\n<p><div id='gallery-1' class='gallery galleryid-4357 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/01\/Picture-43.jpg'><img width=\"345\" height=\"483\" src=\"https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/01\/Picture-43-345x483.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/01\/Picture-42.jpg'><img width=\"345\" height=\"483\" src=\"https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/01\/Picture-42-345x483.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n<!--more--><\/p>\n<p><strong>How has the reaction to your debut album surprised, infuriated and\/or delighted you?<\/strong><\/p>\n<p>It&#8217;s out there in other people&#8217;s lives now &#8211; pushing air in minds, rooms and roads I&#8217;ll never know.  That in itself is quite a peculiar thought.<\/p>\n<p><strong>What do you like most about performing live?<\/strong><\/p>\n<p>In the live situation, everyone and everything involved &#8211; performer, cables, machines, audience, soundman, temperature and the rest, are all players in an extended experiential moment.  It&#8217;s unpredictable, full of potential and chaotic.  It&#8217;s precisely these circumstances where things can happen.  An improvised constellation of effects &#8211; from the weight of a kick drum pulsing through space to the dance of a dust particle in the light of a projector.<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/-m2c0p9_pZk\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><strong>How do you use the performances to explore your instruments and develop your sound further?<br \/>\n<\/strong><br \/>\nIt seems to make sense approaching them with as dynamic and open a method as possible &#8211; really using the freedom the circumstances allow.  The technology is mindblowing, as is the openness of audiences.  This is just the start.<\/p>\n<p><strong>You&#8217;ve said you enjoy writing when nearly asleep and I feel the music reflects this feeling of trans-reality. Are you surprised with the results you come up with when properly awake?<\/strong><\/p>\n<p>A whole spectrum of psychological states are involved in the process of writing, it&#8217;s all explored and filtered through into the final work.  Being surprised by what is produced is a huge part of it.  Attempting to transcend the imagination.<\/p>\n<p><strong>The artwork also reflects this haziness. Do you agree?<\/strong><\/p>\n<p>Hopefully the artwork gives as much intensive matter and leaves as much space for someone else&#8217;s mind as the audible component of the release does. Jane Eastlight is incredible.  Working on a fully audiovisual live thing with her at the moment &#8211; as flexible and liquified as the sonics.<\/p>\n<p><object width=\"100%\"><param name=\"movie\" value=\"https:\/\/player.soundcloud.com\/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F32865177\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed allowscriptaccess=\"always\" src=\"https:\/\/player.soundcloud.com\/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F32865177\" type=\"application\/x-shockwave-flash\" width=\"100%\"><\/embed><\/object>  <span><a href=\"http:\/\/soundcloud.com\/patttten\/ix\">ix<\/a> by <a href=\"http:\/\/soundcloud.com\/patttten\">patten<\/a><\/span> <\/p>\n<p><strong><br \/>\nWhat are you planning for this year?<\/strong><\/p>\n<p>Lots planned.  Don&#8217;t want to ruin it, but what I can say is that 2012 will be quite special.<\/p>\n<p><em>Words: Jack Mills<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Patten, whose sonically maximal long player GLAQJO XAACSSO emerged onto last year&#8217;s techno scene like a sticky grenade, continues to develop his sound in the coming months with a throw of live slots locked in. The notoriously evasive sound murderer offers Wonderland a glimpse into his colourful otherworld, ahead of his first show of the [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":4359,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[9419,9412],"tags":[1308,11183],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>NEW NOISE: patten | Wonderland<\/title>\n<meta name=\"description\" content=\"NEW NOISE: patten.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.wonderlandmagazine.com\/2012\/01\/10\/new-noise-patten\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"NEW NOISE: patten | Wonderland\" \/>\n<meta property=\"og:description\" content=\"NEW NOISE: patten.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.wonderlandmagazine.com\/2012\/01\/10\/new-noise-patten\/\" \/>\n<meta property=\"og:site_name\" content=\"Wonderland\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/WonderlandMagazine\/\" \/>\n<meta property=\"article:published_time\" content=\"2012-01-10T12:37:28+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-03-01T14:01:36+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/media.wonderlandmagazine.com\/uploads\/2012\/01\/Picture-43.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"696\" \/>\n\t<meta property=\"og:image:height\" content=\"697\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Wonderland Staff\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" 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