{"id":4022,"date":"2011-12-19T12:41:57","date_gmt":"2011-12-19T12:41:57","guid":{"rendered":"http:\/\/www.wonderlandmagazine.com\/?p=4022"},"modified":"2012-01-11T11:30:19","modified_gmt":"2012-01-11T11:30:19","slug":"future-this-the-big-pink","status":"publish","type":"post","link":"https:\/\/www.wonderlandmagazine.com\/2011\/12\/19\/future-this-the-big-pink\/","title":{"rendered":"FUTURE THIS &#8211; The Big Pink"},"content":{"rendered":"<p>Milo Cordell, The Big Pink&#8217;s sultry synth giant, claims 2012 will see the band recast their sound afresh, paring back their penchant for noisy guitar layering and live drumming. The duo&#8217;s second full length, Future This &#8211; out on January 13th &#8211; is the result of work with tastemaking producer Paul Epworth. We pressed Cordell about the sound&#8217;s refocus; why he&#8217;s sick of indie rock and what presents he can expect from fellow Pinkian Robbie Furze this Christmas.<br \/>\n<div id='gallery-1' class='gallery galleryid-4022 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/media.wonderlandmagazine.com\/uploads\/2011\/12\/Screen-shot-2011-12-19-at-10.55.22-e1324291603908.jpg'><img width=\"345\" height=\"483\" src=\"https:\/\/media.wonderlandmagazine.com\/uploads\/2011\/12\/Screen-shot-2011-12-19-at-10.55.22-e1324291603908-345x483.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/media.wonderlandmagazine.com\/uploads\/2011\/12\/Screen-shot-2011-12-19-at-10.54.18-e1324291737547.jpg'><img width=\"345\" height=\"483\" src=\"https:\/\/media.wonderlandmagazine.com\/uploads\/2011\/12\/Screen-shot-2011-12-19-at-10.54.18-e1324291737547-345x483.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/media.wonderlandmagazine.com\/uploads\/2011\/12\/Screen-shot-2011-12-19-at-10.53.10.jpg'><img width=\"345\" height=\"359\" src=\"https:\/\/media.wonderlandmagazine.com\/uploads\/2011\/12\/Screen-shot-2011-12-19-at-10.53.10-345x359.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n<!--more--><\/p>\n<p><strong>You got your hands of a broader range of technology for Future This&#8217;s edit. How do you think this has progressed the sound?<\/strong><\/p>\n<p>The way we approached songs was slightly different this time around. We wrote the album a lot quicker because we knew that we were gonna work with a producer. We didn&#8217;t get too mad into what every high-hat was gonna sound like, for example. We also got really into the soft synth sound and different programmes and pro-tools.<\/p>\n<p><strong>Did you feel you had less to prove with this record?<\/strong><\/p>\n<p>The first <a href=\"http:\/\/en.wikipedia.org\/wiki\/A_Brief_History_of_Love\">record<\/a> didn&#8217;t set the world on fire &#8211; we had something to prove to ourselves with this one, really. We wanted to up our game, up the production. The first record was quite hard to play live &#8211; it was droney and slow, and we wanted to make a much more upbeat, positive album this time around.<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/wPmkk_W11oM\" frameborder=\"0\" allowfullscreen><\/iframe><br \/>\n<strong><br \/>\nYou mentioned a hip-hop influence with it. How do you feel this manifests itself in the music?<\/strong><\/p>\n<p>I kind of wish I&#8217;d never said that because it immediately set us off on the wrong foot &#8211; I don&#8217;t know whether people were expecting Illcommunication, Massive Attack or Linkin Park [laughs. A lot]. The statement came from the fact that we knew we didn&#8217;t want to use live drums and we didn&#8217;t wanna use guitar &#8211; all the tracks are built around a drum break or a programmed beat. The last thing we wanted to do was write an indie rock or electropop record. I wanted to get as far away as I could from that. <\/p>\n<p><strong>The title is pulled from an 80s skateboard company&#8217;s logo, and the artwork reflects that. Were you consciously referencing the era?<br \/>\n <\/strong><br \/>\nWe were referencing this photographer called <a href=\"http:\/\/en.wikipedia.org\/wiki\/Glen_E._Friedman\">Glen E. Friedman,<\/a> who did a lot of early Dogtown skate pictures, early Beastie Boys and Public Enemy photography. Then with <a href=\"http:\/\/www.krink.com\/\">Krink&#8217;<\/a>s work, the dripping paint, I kind of wanted it to be a statement:  we&#8217;re kind of going over everything, painting it afresh and recasting it.<\/p>\n<p><strong>What are The Big Pink&#8217;s records of the year?<\/strong><\/p>\n<p>I&#8217;m not sure if it influenced our sound, but while writing this record we were definitely listening to House of Balloons by <a href=\"http:\/\/the-weeknd.com\/\">The Weeknd<\/a> a lot. I loved it because it was quite dirty, filthy, yet&#8230;<\/p>\n<p><strong>&#8230;has a production sheen.<\/strong><\/p>\n<p>Exactly. A really original production sheen, but was hazy and druggy too. <\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/fJxOBXTFi6g\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>I really loved the <a href=\"http:\/\/www.myspace.com\/zombyproductions\">Zomby<\/a> record, Dedication, too. <\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/tiyxPeuBf0M\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><strong>What&#8217;s Christmas gonna be like for The Big Pink this year? Will you be buying each other presents?<\/strong><\/p>\n<p>Me and Robbie do exchange gifts, yeah. I did it as a joint present as it was his birthday yesterday. I don&#8217;t know what to get him this year, though. Last year I got him a guitar pedal &#8211; I&#8217;m usually quite selfish with gifts.<\/p>\n<p><strong>What did he get you?<\/strong><\/p>\n<p>I can&#8217;t remember, but the last present he bought me was an enormous, novelty-sized record. Like a 72 inch, or something: an antique that they used to play on Phonograms.<\/p>\n<p><strong> I bet you&#8217;re excited to find out what you&#8217;ve been given this year&#8230;<\/strong><\/p>\n<p>Yeah, it&#8217;s always fun&#8230;<\/p>\n<p><a href=\"http:\/\/musicfromthebigpink.com\/\">The Big Pink<\/a><br \/>\n<em><br \/>\nWords: Jack Mills<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Milo Cordell, The Big Pink&#8217;s sultry synth giant, claims 2012 will see the band recast their sound afresh, paring back their penchant for noisy guitar layering and live drumming. The duo&#8217;s second full length, Future This &#8211; out on January 13th &#8211; is the result of work with tastemaking producer Paul Epworth. We pressed Cordell [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":4026,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[9419],"tags":[1472,1469,559,1107,1470,48,1471,495,1468,1467,1078],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>FUTURE THIS - The Big Pink | Wonderland<\/title>\n<meta name=\"description\" content=\"FUTURE THIS - The Big Pink.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.wonderlandmagazine.com\/2011\/12\/19\/future-this-the-big-pink\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FUTURE THIS - The Big Pink | Wonderland\" \/>\n<meta property=\"og:description\" content=\"FUTURE THIS - The Big Pink.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.wonderlandmagazine.com\/2011\/12\/19\/future-this-the-big-pink\/\" \/>\n<meta property=\"og:site_name\" content=\"Wonderland\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/WonderlandMagazine\/\" \/>\n<meta property=\"article:published_time\" content=\"2011-12-19T12:41:57+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2012-01-11T11:30:19+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/media.wonderlandmagazine.com\/uploads\/2011\/12\/Screen-shot-2011-12-19-at-10.53.10.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"497\" \/>\n\t<meta property=\"og:image:height\" content=\"359\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Wonderland Staff\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@wonderlandmag\" \/>\n<meta name=\"twitter:site\" content=\"@wonderlandmag\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Wonderland Staff\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.wonderlandmagazine.com\/2011\/12\/19\/future-this-the-big-pink\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.wonderlandmagazine.com\/2011\/12\/19\/future-this-the-big-pink\/\"},\"author\":{\"name\":\"Wonderland Staff\",\"@id\":\"https:\/\/www.wonderlandmagazine.com\/#\/schema\/person\/6dc3b150149b9a6c43bd0d6277c3c000\"},\"headline\":\"FUTURE THIS &#8211; 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