{"id":2957,"date":"2011-11-15T14:43:45","date_gmt":"2011-11-15T14:43:45","guid":{"rendered":"http:\/\/www.wonderlandmagazine.com\/?p=2957"},"modified":"2011-12-09T18:12:17","modified_gmt":"2011-12-09T18:12:17","slug":"wonderkind-flaminia-saccucci","status":"publish","type":"post","link":"https:\/\/www.wonderlandmagazine.com\/2011\/11\/15\/wonderkind-flaminia-saccucci\/","title":{"rendered":"Wonderkind:  FLAMINIA SACCUCCI"},"content":{"rendered":"<p><div id='gallery-1' class='gallery galleryid-2957 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/media.wonderlandmagazine.com\/uploads\/2011\/11\/Picture-39.jpg'><img width=\"326\" height=\"483\" src=\"https:\/\/media.wonderlandmagazine.com\/uploads\/2011\/11\/Picture-39-326x483.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/media.wonderlandmagazine.com\/uploads\/2011\/11\/FLAM2.jpg'><img width=\"345\" height=\"483\" src=\"https:\/\/media.wonderlandmagazine.com\/uploads\/2011\/11\/FLAM2-345x483.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/media.wonderlandmagazine.com\/uploads\/2011\/11\/FLAM3.jpg'><img width=\"332\" height=\"483\" src=\"https:\/\/media.wonderlandmagazine.com\/uploads\/2011\/11\/FLAM3-332x483.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/media.wonderlandmagazine.com\/uploads\/2011\/11\/Picture-31.jpg'><img width=\"345\" height=\"483\" src=\"https:\/\/media.wonderlandmagazine.com\/uploads\/2011\/11\/Picture-31-345x483.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/media.wonderlandmagazine.com\/uploads\/2011\/11\/FLAM5.jpg'><img width=\"345\" height=\"483\" src=\"https:\/\/media.wonderlandmagazine.com\/uploads\/2011\/11\/FLAM5-345x483.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/media.wonderlandmagazine.com\/uploads\/2011\/11\/FLAM7.jpg'><img width=\"345\" height=\"455\" src=\"https:\/\/media.wonderlandmagazine.com\/uploads\/2011\/11\/FLAM7-345x455.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\nMeshing tyre print with flora, harsh latex with wear-ability and dark colours with bright, Rome-born designer Flaminia Saccacci has certainly pricked a few ears since her award-winning graduation show at Central Saint Martins in May. Whipped-up soon after by Givenchy, we spoke to her just two weeks into the challenging new role.<\/p>\n<p><!--more--><\/p>\n<p><strong>Congratulations on pocketing a L\u2019Oreal Professional Young Talent Award for your Saint Martins graduation collection. How and when did you conceive the ideas for it and in what way did you go about bringing them to life?<\/strong><\/p>\n<p>The ideas came from researching tyre-marks after stumbling upon the work of this artist called Paolo Caneveri.  I wanted to represent the tyre in the garment without it seeming too masculine. I tried to use it in a feminine way, for balance. I always want my designs to be very feminine and wearable \u2013 but there is always a dark twist to them. Latex was the fabric I decided on, but I knew I didn\u2019t want to use it in an expressly sexy way. I wanted the dresses to be cut in a really sharp and covering way. The fabric was used in a fairly unconventional way: not stretched tightly at all. It\u2019s a sharp fit, but not stretched. <\/p>\n<p><strong>Was designing with latex problematic? <\/strong><\/p>\n<p>It depends. For shaping, no, but for printing, it\u2019s difficult, yes. Not many people use latex for this reason, because the ink usually runs. I had to use a lot of trial and error, but I found a solution in the end, which I don\u2019t tell anyone [laughs]. <\/p>\n<p><strong>Some of the collection is on display at Browns, London. How did this come about?<\/strong><\/p>\n<p>They sent me an email saying they really liked the collection, and invited me to the shop for a meeting. From there we discussed what items would work in the shop \u2013 what would be wearable and practical for everyone, whatever size. We discussed what shapes would be easiest to wear, bearing in mind the impracticalities of latex &#8211; like jackets or sleeveless pieces. So we added a few twists to the collection, and it\u2019s a really nice outcome. The first few pieces that sold were leather jackets \u2013 the latex pieces and bags are selling quite well, too.<\/p>\n<p><strong>Obviously you had a lot of attention after the Saint Martins show \u2013 did you have lots of people approaching you with offers? <\/strong><\/p>\n<p>Right after, yes: many other shops, stylists and buyers contacted me. It\u2019s been really, really great, but at this early stage I need to be careful \u2013 I need to make the right decisions, keep working hard and avoid buying into hype. <\/p>\n<p><strong>Let&#8217;s talk about your fascination with Canevari&#8217;s work. Perhaps, on some level, his emphasis on art as ephemeral statements influenced your focus on flowers and tyre marks\u2026<br \/>\n<\/strong><br \/>\nNot specifically to this collection, no, but I am really interested in what\u2019s ephemeral and the cultural and historical importance of the items we wear. You want to make a beautiful piece, but that\u2019s not its only function \u2013 people have to actually wear it. I want my garments to be worn by people and not just be left in the cupboard. <\/p>\n<p><strong>Were you interested in design as a youngster?<\/strong><\/p>\n<p>Yes, I used to draw a lot and make paper dresses for my dolls. I&#8217;ve always loved the history of art, too. The Gallery of Modern Art is close to my family home in Rome &#8211; I&#8217;d go there after school. <\/p>\n<p><strong>Your work was selected for the \u2018British-ish\u2019 exhibition at the V&#038;A, which ended in September. Tell us how this came about&#8230;<br \/>\n<\/strong><br \/>\nIt was an exhibition curated by the University of the Arts, London. It compiled all the best graduates from universities across the UK that year. I have to say, I was really pleased that Giles [Deacon, designer] selected the two items he did, because they\u2019re my favourite pieces from it. <\/p>\n<p><strong>How has your work and influences changed since graduating and moving to Paris to work under Riccardo Tisci, whom you again pigeonhole as an influence?<br \/>\n<\/strong><br \/>\nI\u2019ve only been here for two weeks, but I have to say, Givenchy really suits my natural style. As I said, I love the femininity of garments \u2013 the idea that you make dresses to catch peoples\u2019 eye &#8211; but you\u2019re not giving too much away. There\u2019s always a dark twist to my pieces, though, moody aspects, which I really associate with Givenchy. Because of this similarity, I don\u2019t have to adapt or change my style too heavily.  We\u2019re currently working on a pre-collection, which will be ready for December. <\/p>\n<p><strong>Has working and living in Paris influenced your creativity? <\/strong><\/p>\n<p>Oh, hugely. It&#8217;s all just so elegant and so beautiful \u2013 it seems people find easy ways of just looking so perfect here. You really want to do this justice with your work  &#8211; simplistic and minimalist, but totally beautiful nonetheless, and make things that don\u2019t take too much effort to wear and look good in any occasion.<\/p>\n<p><em>Some of Flaminia Saccucci&#8217;s Saint Martins collection will go on sale again at JOYCE Boutique in February.  <\/em><br \/>\n<em>Words: Jack Mills<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Meshing tyre print with flora, harsh latex with wear-ability and dark colours with bright, Rome-born designer Flaminia Saccacci has certainly pricked a few ears since her award-winning graduation show at Central Saint Martins in May. Whipped-up soon after by Givenchy, we spoke to her just two weeks into the challenging new role.<\/p>\n","protected":false},"author":4,"featured_media":2964,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[9418],"tags":[1133,1128,1127,1132,1107,1135,1130,1129,1131,1134,1078],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Wonderkind: FLAMINIA SACCUCCI | Wonderland<\/title>\n<meta name=\"description\" content=\"Wonderkind: FLAMINIA SACCUCCI.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.wonderlandmagazine.com\/2011\/11\/15\/wonderkind-flaminia-saccucci\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" 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