{"id":28825,"date":"2014-03-28T15:11:50","date_gmt":"2014-03-28T15:11:50","guid":{"rendered":"http:\/\/www.wonderlandmagazine.com\/?p=28825"},"modified":"2014-03-28T15:12:12","modified_gmt":"2014-03-28T15:12:12","slug":"wonderland-exclusive-planningtorock","status":"publish","type":"post","link":"https:\/\/www.wonderlandmagazine.com\/2014\/03\/28\/wonderland-exclusive-planningtorock\/","title":{"rendered":"WONDERLAND EXCLUSIVE: PLANNINGTOROCK"},"content":{"rendered":"

Thomas Curry talks to Planningtorock aka\u00a0Jam Rostron, as she chooses some of her fave tracks for Wonderland.<\/p>\n

\"PTR\"<\/a><\/p>\n

You\u2019ve mentioned before that you weren\u2019t quite happy with the last album and that you felt like you hadn\u2019t gone far enough, why is that?<\/strong><\/p>\n

With the last record I was anxious that writing about issues or topics that were a too political would isolate people or cut them out in some way. I was more poetic in my language \u2013 I didn\u2019t want to be too direct. Whilst I was really happy with how the record turned out, I hit a bit of a low point after I finished touring where I began to question what making music was about. There was suddenly this void between how I felt, what I was doing with my life and what I wanted to do creatively. Ultimately I decided, who cares, I mean what\u2019s the worst that could happen if I wrote about patriarchy and people started to disagree with what I was saying. It would have provoked discussion, that\u2019s what art is supposed to do. I sat and wrote for hours and felt like I\u2019d really achieved something. The album isn\u2019t directed at any one person in particular, rather it takes issue with the constructs that alienate people in today\u2019s society.<\/p>\n

What has the feedback been like?<\/strong><\/p>\n

It\u2019s been bloody amazing actually! People were really ready to talk about these issues and seem to have enjoyed listening to the records so it\u2019s been brilliant. It\u2019s the best feeling when you speak to friends, fans and journalists about it and they really get what I wanted this music to be about.<\/p>\n

Artists like Lily Allen have been criticised by some for her feminist agenda \u2013 do you think your music shares something with hers?<\/strong><\/p>\n

To be honest I\u2019m not really sure. I produce music for myself and the friends that surround me. I want it to provoke discussion and help both myself and others learn something in the process so any music that achieves that is a good thing.<\/p>\n

Do you think there\u2019s a danger with 4th<\/sup> generation feminists and that the momentum could slow down as the novelty wears off?<\/strong><\/p>\n

It depends on who\u2019s talking about it. Personally I find it really exciting that feminism is getting shook up \u2013 that it\u2019s not only middle class, western, white women who are having the monopoly on feminism. There\u2019s a whole new dialogue about how feminism relates to class status, economic status, geographical status, everything, whether they\u2019re abled or a person with a disability. Feminism is a continuum, there is no end goal. As with most issues I definitely think there\u2019s an ebb and flow process but the most important thing is that it\u2019s being talked about in any circle no matter how big.<\/p>\n

With such a spotlight on Russia at the moment\u00a0 is your music in any way a protest song against regimes like Russia\u2019s?<\/strong><\/p>\n

Yeah, \u2018Public Love\u2019 for example is one track off the album, it\u2019s a direct reaction to the illegalisation of public displays of affection between people of the same gender. The changes in Russia are very frightening, but it\u2019s not just Russia, it goes beyond that.<\/p>\n

Would you boycott performing in certain countries if you disagreed with their laws and attitudes towards sexuality?<\/strong><\/p>\n

It\u2019s an interesting question. The biggest feeling my friends and I have is, yeah of course it\u2019s scary to go there and of course you think about rejecting it outright, but you have to consider your audience. I have a lot of Russian fans and I\u2019d want to support them. I\u2019d post something on Facebook or Twitter and find out what the fans wanted.<\/p>\n

Do you have a reciprocal relationship with your fans?<\/strong><\/p>\n

Definitely! It\u2019s something that\u2019s growing all the time. I can be quite shy so it\u2019s great to interact with fans and get their support.<\/p>\n

Do you read a lot of feminist literature?<\/strong><\/p>\n

Definitely! There\u2019s this handbook written by a feminist group in Malm\u00f6 Sweden that I read a lot \u2013 it\u2019s called Do The Right Thing<\/i>. Another good one is Normal Life<\/i> by a trans activist, writer and teacher Dean Spade. He\u2019s a close friend of mine. Then there\u2019s Tandra Mahanti, she writes a lot about third world feminism and the economics that sit behind feminist thinking. I\u2019m like a sponge right now there\u2019s so much I want to learn and understand! Bloggers too, I read hundreds of blogs!<\/p>\n

Have you ever thought about self-publishing?<\/strong><\/p>\n

Ha, I don\u2019t think I\u2019m a writer! Lyrics are hard enough for me and that\u2019s only a few lines. I love video, music and storytelling so I would love to make a funny queer comedy TV series. A retelling of Twin Peaks perhaps!<\/p>\n

Disco has always been tied up with American gay culture, was that the reason for choosing dance and funk?<\/strong><\/p>\n

Absolutely, disco comes from queer black roots \u2013 historically it\u2019s very but it\u2019s also a fantastic sonic medium. I tried to think about who\u2019s listening to this? Where can we experience it? After W I got invited to DJ a lot which was a totally new experience for me. I love the way a dance floor can erase barriers between class, race, gender, sexuality, politics. It\u2019s the perfect space for the type of themes I wanted to talk about.<\/p>\n

Do you have a favourite track from the album?<\/strong><\/p>\n

I do like Public Love<\/i> it really gets me going when I\u2019m coming to the studio. Human Drama<\/i> was such a breakthrough for me though \u2013 it unashamedly discussed sexuality and queerness and just feels really good when I hear it.<\/p>\n

What\u2019s next now that you have your own imprint, Human Level?<\/strong><\/p>\n

It\u2019s fantastic. I tend to work more with female or queer producers \u2013 we just have such a natural synergy. I met Roxy Moe a few years ago \u2013 she\u2019s wonderful \u2013 so I\u2019m looking forward to releasing some of her material soon.<\/p>\n

Check out\u00a0Planningtorock’s fave songs, in no particular order,\u00a0here.<\/a><\/p>\n

Follow Planningtorock on Twitter<\/a> and Like on Facebook<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Thomas Curry talks to Planningtorock aka\u00a0Jam Rostron, as she chooses some of her fave tracks for Wonderland.<\/p>\n","protected":false},"author":4,"featured_media":28826,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9416,9419],"tags":[5363,48,5362,2028],"acf":[],"yoast_head":"\nWONDERLAND EXCLUSIVE: PLANNINGTOROCK | Wonderland<\/title>\n<meta name=\"description\" content=\"WONDERLAND EXCLUSIVE: PLANNINGTOROCK.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.wonderlandmagazine.com\/2014\/03\/28\/wonderland-exclusive-planningtorock\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"WONDERLAND EXCLUSIVE: PLANNINGTOROCK | Wonderland\" \/>\n<meta property=\"og:description\" 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