{"id":28354,"date":"2014-03-14T10:44:04","date_gmt":"2014-03-14T10:44:04","guid":{"rendered":"http:\/\/www.wonderlandmagazine.com\/?p=28354"},"modified":"2016-09-22T14:27:30","modified_gmt":"2016-09-22T14:27:30","slug":"profile-st-vincent","status":"publish","type":"post","link":"https:\/\/www.wonderlandmagazine.com\/2014\/03\/14\/profile-st-vincent\/","title":{"rendered":"PROFILE:  ST VINCENT"},"content":{"rendered":"<p>The grand high witch of gothy guitar pop gets her disco pants on.<\/p>\n<p><!--more--><\/p>\n<p ><a href=\"\/\/media.wonderlandmagazine.com\/uploads\/2014\/03\/5-e1394731925803.jpg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"size-full wp-image-28355 aligncenter\" alt=\"5\" src=\"\/\/media.wonderlandmagazine.com\/uploads\/2014\/03\/5-e1394731925803.jpg\" \/><\/a><em >Pink floral blazer and pink floral trousers both by EMPORIO ARMANI, white cotton shirt by COS, white snakeskin brogues by CHRISTIAN LOUBOUTIN and ring by NOEMI KLEIN<\/em><\/p>\n<p>A rattlesnake, a dense Texan wood and a pair of pale tits. Not <i>Nymphomaniac<\/i>\u2019s surprise third part, but where Annie Erin Clark found an in-road to her fourth, eponymously titled LP as outr\u00e9 multi-instrumental solo project, St Vincent. \u201cSt Vincent\u201d is 11 songs of danceable, experimental disco rock. It\u2019s her <i>Pop<\/i>, her <i>Flowers of Romance<\/i>, her \u201cClapham Common\u201d. Maybe she inhaled too much pre-dance floor hairspray in the late eighties and it\u2019s finally catching up. Either way, Clark \u2013 who has replaced Hasidic brown curls for a glammy white bouffant &#8211; is cresting her most unapologetically accessible musical phase. Take it from lead single \u201cBirth in Reverse\u201d, a cocksure tune as tight and latticework-like in rhythm as it is lyrically breezy and existential: \u201cOh what an ordinary day,\u201d she drawls, in the way only a true Southern States native can, \u201c\u2026take out the garbage, masturbate.\u201d Elsewhere opener \u201cRattlesnake\u201d is steered by <i>Innervisions<\/i>-esque modular funk and \u201cBring Me Your Love\u201d\u2019s treated, mutant beat swaps gleaming pop for broody synthedelica.<\/p>\n<p><a href=\"\/\/media.wonderlandmagazine.com\/uploads\/2014\/03\/4-e1394731937806.jpg\"><img decoding=\"async\" class=\"aligncenter\" alt=\"4\" src=\"\/\/media.wonderlandmagazine.com\/uploads\/2014\/03\/4-e1394731937806.jpg\" \/><\/a><\/p>\n<p>I met Clark in a strange, gated bourgeoisie enclave known as Kensington Village \u2013 the type of haunt you\u2019d expect to have opiate-gilded oxygen pumping from its glass walls. Our chat journeyed everywhere from PJ Harvey\u2019s back catalogue (we both think <i>Is This Desire<\/i> is a career high, and co-hum \u201cAngeline\u201d\u2019s creeping bassline) to starting a black metal band together (Annie, if you\u2019re reading this, I\u2019d like us to be called \u201cExploding Breastplates\u201d).<\/p>\n<p>After all, Clark spent most of her youth perfecting Dimebag riffs in her parent\u2019s house Tulsa, Oklahoma, before moving to Brooklyn. And you can hear it in her music: after stints in bizarre, stadium pop gospel choir The Polyphonic Spree and Surfjan Stevens\u2019 touring band, and as one of Glenn Branca\u2019s 100 Guitars project, she started work on her debut record, 2007\u2019s <i>Marry Me<\/i>. But it wasn\u2019t until the skewed, conceptual sophomore <i>Actor<\/i> that Clark introduced her patented brand of Tourette\u2019s Rock; where sickly sweet Disney lullabies are broken in two by bolts of jagged, overdrive soaked Strat. Like the tar-thick, blackened overcast \u201cThe Nothing\u201d in <i>Neverending Story,<\/i> songs like \u201cActor Out Of Work\u201d and \u201cLaughing With a Mouth of Blood\u201d are seasoned with a generous dollop of shrieking, morbid blues instrumentation.<\/p>\n<p ><a href=\"\/\/media.wonderlandmagazine.com\/uploads\/2014\/03\/3-e1394731967118.jpg\"><img decoding=\"async\" class=\"aligncenter\" alt=\"3\" src=\"\/\/media.wonderlandmagazine.com\/uploads\/2014\/03\/3-e1394731967118.jpg\" \/><\/a><em >Navy blazer by MARGARET HOWELL and white cotton shirt by COS<\/em><\/p>\n<p>She\u2019s not in the mood to wade through old projects. The past is just that, and I agree &#8211; even if it does involve a collaborative album with Talking Heads ing\u00e9nue David Byrne; 2012\u2019s unhinged <i>Love This Giant<\/i>. In the main, we discuss her newfound mascot, the <i>St Vincent<\/i> rattlesnake.\u00a0 \u201cMy friend has an old cattle ranch in far, far west Texas,\u201d she explains, \u201cand I went walking one night around the property, which is miles from the road.\u00a0 Without the Internet, I know nothing about nature. I didn\u2019t have a cell phone, either &#8211; I\u2019m in the middle of the universe and I\u2019m all alone. So I decided I was going to take\u00a0off my clothes because there will be nothing tethering me to the universe anymore. And\u00a0I was having this really mystical experience &#8211; and I am not a person who says \u2018mystical\u00a0experiences\u2019. I\u2019m not into Urban Outfitters spirituality,\u201d she continues. \u201cBut what happened next sounds like a Creationist myth. I heard a sound and thought: \u201cOh, it must be a critter\u201d. Then I heard a rattle and saw the snake. I ran as fast as I could back to the ranch, dropping everything I owned on the way.\u201d<\/p>\n<p ><a href=\"\/\/media.wonderlandmagazine.com\/uploads\/2014\/03\/1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-28358 aligncenter\" alt=\"1\" src=\"\/\/media.wonderlandmagazine.com\/uploads\/2014\/03\/1-e1394732027922.jpg\" \/><\/a><em >Shit, suit jacket and trousers all Annie&#8217;s own, left hand: gold chunky ring by NOEMI KLEIN and eternity rings both by RUTH TOMLINSON and right hand: silver rings both by NOEMI KLEIN<\/em><\/p>\n<p>Her sense of isolation \u2013 an incident she now describes as \u201call very Cormac McCarthy\u201d &#8211; prompted her analysis of Social Media-surveillance in \u201cDigital Witness\u201d. \u201cIn this day and age, there are millions of digital eyes, and that\u2019s all of us.\u00a0 And it\u2019s almost as if the snake has eaten its tail. We feel like if we don\u2019t\u00a0show someone what we\u2019ve done &#8211; or have a million\u00a0digital hands clapping for you all the time &#8211; we feel like we don\u2019t exist.\u201d In fact, reminders of the fantastical reptilian encounter are at every turn: in its <i>Tabula Rasa<\/i> abandonment of the dark urban indie of New York contemporaries Deerhunter and Dirty Projectors for crisp, seventies dance, and in its a brooding sense of dystopia: \u201cIt\u2019s a party record, but there\u2019s a twist,\u201d she says. \u201cThere\u2019s\u00a0blood on the pi\u00f1ata. It\u2019s not a party record in the sense of: \u2018Let\u2019s get fucked up at the pub\u2019 &#8211; but in terms of it being like an apocalypse that you can dance to.\u201d<\/p>\n<p>The album\u2019s disco and Clark\u2019s part Betty Davis part Jim Jarmusch hair steez, are her way of refusing to stick to a tried, quantifiable formula. It\u2019s her, sprinting through the woods, ditching everything she possesses. \u201cI think it\u2019s so important to be a mythmaker in art &#8211; like Lou Reed, Bowie Polly Harvey, all these people who constantly reinvented themselves. That\u2019s what this record is for me; I never want to look back, and I hate nostalgia. My hair doesn\u2019t define me but a radical change is a good change. Always.\u201d<\/p>\n<p>&nbsp;<\/p>\n<p>Words Jack Mills<br \/>\nFashion Editor Francesca Turner<br \/>\nHair Christian Wood at The Wall Group<br \/>\nMakeup Riona O&#8217;Sullivan using LANC\u00d4ME<br \/>\nNails Ami Streets at LMC Worldwide using CHANEL S 2014 and BODY EXCELLENCE HAND CREAM<br \/>\nPhotographic Assistance Andrew Davis and Alex Franchini<br \/>\nFashion Assistance Samantha Lockwood<br \/>\nProduction Seona Taylor-Bell<br \/>\nThanks Charlotte Cassidy<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The grand high witch of gothy guitar pop gets her disco pants on.<\/p>\n","protected":false},"author":4,"featured_media":28355,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3632,9418,9419,9409],"tags":[3511,48,3299,2065],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>PROFILE: ST VINCENT | 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