{"id":18326,"date":"2013-04-26T14:30:36","date_gmt":"2013-04-26T14:30:36","guid":{"rendered":"http:\/\/www.wonderlandmagazine.com\/?p=18326"},"modified":"2013-05-20T10:33:40","modified_gmt":"2013-05-20T10:33:40","slug":"flashback-friday-carey-mulligan","status":"publish","type":"post","link":"https:\/\/www.wonderlandmagazine.com\/2013\/04\/26\/flashback-friday-carey-mulligan\/","title":{"rendered":"Flashback Friday: Carey Mulligan"},"content":{"rendered":"

We spoke to a pre-Great Gatsby, pre-Marcus Mumford Carey Mulligan about her failing her drama school adution, An Education and the moment it all changed for her.<\/p>\n

<\/p>\n

\"Carey<\/a><\/center>This interview was published in Issue 22 of <\/em>Wonderland, April\/May 2010. <\/em><\/p>\n

Long after theater audiences discovered her luminous, soulful turn as Nina in Ian Rickson\u2019s gorgeous production of The Seagull, holding her own opposite Kristin Scott Thomas\u2019 ravishing Arkadina, first in London at the Royal Court and then on Broadway, Carey Mulligan burst onto the Hollywood scene in the lovely film An Education.<\/p>\n

Mulligan had been in movies before \u2014 most notably in her debut as Keira Knightley\u2019s sister in Joe Wright\u2019s 2005 adaptation of Pride & Prejudice \u2014 but An Education, directed by Lone Scherfig, based on Lynn Barber\u2019s memoir with a screenplay by Nick Hornby, shot her out of a cannon, winning her a BAFTA for Best Actress and landing her an Oscar nomination. But how do you follow up a starmaking turn like that?<\/p>\n

We\u2019ll see what happens this year, when Mulligan appears in the big screen adaptation of Kazuo Ishiguro\u2019s masterful and much loved semi-science fiction novel Never Let Me Go, as well as the long-awaited sequel to Oliver Stone\u2019s Wall Street, Wall Street: Money Never Sleeps, out later this year.<\/p>\n

How has this crazy ride of An Education worked out for you?<\/strong><\/p>\n

It\u2019s been 14 months since we premiered An Education at Sundance and it feels like forever. I miss work. I haven\u2019t worked since the end of Wall Street and that\u2019s the longest I\u2019ve taken off since I started acting. But the award stuff is so frequent that if you tried to work at the same time, you\u2019d be running in and out of your job and that\u2019s not ideal. I mainly just miss working. I was really freaked out at the beginning\u2014not to a crippling degree\u2014by the red carpet stuff. It just felt scary, but slowly I\u2019ve realised, this is just so mad. And the more tired I am, the more jetlagged I am, the less scared I am.<\/p>\n

What part is scary? <\/strong>
\nThe photos. That many people looking at you. The possibility of winning where you\u2019re going to have to get up and say something. The times when you actually have to prepare a thing to say, and you wonder: \u201cShould I try to be funny? I shouldn\u2019t try to be funny.\u201d But I\u2019ve started taking my best friend, who\u2019s an illustrator in London, to these events. I brought her to the SAG awards and she said, \u201cThis is so weird,\u201d and you\u2019re suddenly like, \u201cRight! This is bizarre,\u201d and you can step out of it and laugh. My mum, my brother and my dad are all coming to the Oscars and they\u2019re going to be so freaked out and amazed that I can live vicariously through them.<\/p>\n

Remind me how everything started for you.<\/strong><\/p>\n

Pride & Prejudice was my first job. I was at boarding school and I met Julian Fellowes. He came to give a talk. I told him I wanted to be an actress and he said, \u201cWell, that\u2019s silly. Marry a banker.\u201d It was a really small exchange. And I left school and my parents wouldn\u2019t let me go to drama school and I\u2019d applied in secret and not gotten in. And then I was working as a barmaid and a runner at a film studio and I was headed to university and I thought, \u201cIf I end up going, I\u2019m probably going to drop out and that\u2019s going to be a waste of everyone\u2019s time.\u201d I got Julian Fellowes\u2019 address, and I wrote him a letter telling him my situation and asking him how to get into the business without going to drama school. Because even if I could get into drama school, I knew I couldn\u2019t go because I didn\u2019t have any money.<\/p>\n

Why didn’t you get in?<\/strong><\/p>\n

Because I had a really \u2014 touch wood \u2014 stable non-messed up life. And I went in there and did a monologue from Sara Kane\u2019s Psychosis 4:48, and they were like, \u201cWho are you?\u201d I was so desperate to be deep and I had nothing to draw from. It was a disaster. So Julian introduced me to his wife Emma Fellowes; she introduced me to Maggie Lunn and her assistant, Camilla. Maggie casts everything in London, and Camilla introduced me to Robin Hudson, who was Jina Jay\u2019s assistant, and Jina was casting Pride & Prejudice. And they were looking for young actresses to play the younger sisters. And the tapes got to Joe Wright and I did a series of auditions for him. And then it just started.<\/p>\n

When you look back, was it easy getting into the business?<\/strong><\/p>\n

It was surreal, but Joe was looking for actresses who hadn\u2019t acted professionally so he could make them do what he wanted. It was just perfect that it all fell together in that way but it was the biggest lucky break ever. I can\u2019t say I really struggled but the struggle was before, when I tried to get into drama school. It\u2019s a completely understandable fear to have your kid go into the most unstable industry on the planet. And so many people I know did train and came out of drama school and didn\u2019t work. More than the financial instability and lack of security, what\u2019s so heartbreaking is the idea that you might not get to do the thing that you want to do. Sometimes parents just want to protect you from the disappointment.<\/p>\n

\"Carey<\/a><\/center>Did your career start to steamroll after that?<\/strong><\/p>\n

Not really, but I worked consistently, which is all I really ever wanted and you can\u2019t hope for anything else. While I was doing Pride & Prejudice, I did my first play at the National, 40 Winks. I played a 14-year-old rape victim. It was Pride & Prejudice, with bonnets and ribbons and cake, and then this dark play. And then I did a big tv series of Bleak House on the BBC. But I worked steadily for a while so that was kind of perfect. I never saw a ladder to climb.<\/p>\n

When you were making An Education, did it feel special?<\/strong><\/p>\n

I loved it, but I didn\u2019t feel it would change anything. I thought it would come out in two arthouse cinemas. Peter Sarsgaard didn\u2019t come to Sundance and he told me and Dominic Cooper, \u201cGuys, don\u2019t get your hopes up because it\u2019s a really bad year for movies and the probability is that no one will buy it.\u201d And we went and it sold and we went apeshit. The fact that someone was going to see it in America as well as England was crazy. When we were making it, we all loved it so much. Peter became like my brother. The crew was literally the coolest gang of people I\u2019d ever met. Dominic and I became best friends. I was so sad to walk away, and I thought, I\u2019m never going to be able to see them again. Now I\u2019ve spent 14 months being like, \u201cHi Nick. Hi Dominic. Hi Alfred.\u201d It\u2019s been really nice because I\u2019ve never gotten to do that before.<\/p>\n

When did you have the sense that An Education would become a game changer?<\/strong><\/p>\n

Right after Sundance, I got Never Let Me Go. I\u2019d read the book about two years before I\u2019d read the script and I didn\u2019t think I could get it because I wasn\u2019t getting into the room for parts like that. Nick Hornby told the producer that he should hire me, and the weekend after the reviews for An Education came out in Variety and The Hollywood Reporter, they offered me the film. It was sort of mad. But it made that difference. Suddenly I got this part that I was desperate to play, and when I was wrapping that, that\u2019s when Oliver Stone called because he\u2019d seen An Education. Which is so far from Wall Street. A different universe. And everything else has happened in the last few months. I love Never Let Me Go so much and I\u2019m so protective of the book. If I saw someone fuck up Kathy [the character she plays] I\u2019d hunt them down. And there\u2019s only so much you can do \u2014 you can only do your best. I\u2019ve not seen a single frame of it so I don\u2019t know.<\/p>\n

Wall Street is your first big Hollywood movie, right?<\/strong><\/p>\n

I was really nervous about doing it, actually. But it\u2019s a supporting role \u2014 it\u2019s not Shia LaBeouf or Michael Douglas\u2019 part. It\u2019s one of the only female characters. I knew if I did the movie, people were really going to know me and I met Oliver and he was like no one I\u2019d ever met. And I was so excited. He\u2019s so intelligent. I walked into his office and I waited for a second, and he marched towards me, and he went, \u201cOh, you don\u2019t have long hair, you look so different,\u201d and I thought, \u201cDoes that mean I don\u2019t get the job?\u201d And then I followed him into his office, and he just talked at me. He\u2019s so clever but sometime his mind will just flip from place to place. Oliver was challenging and he wasn\u2019t mollycoddling. It was intimidating to be the only girl, but in a great way. I\u2019ve always been the youngest and now I\u2019m starting to not be the youngest and it\u2019s kind of weird. You just suddenly realise, \u201cI\u2019m 24 and I\u2019m not a kid anymore, and I\u2019m not the least experienced person here.\u201d But I had to be one of the boys, and that was really cool. He\u2019d push us to play things really truthfully. I loved him, but he\u2019s testing.<\/p>\n

Do you think the sequel will have a similar effect sociologically?<\/strong><\/p>\n

I haven\u2019t seen it but I watched a lot of the dailies. It\u2019s a real Hollywood film, you can see that from the trailer, which for me is a completely different genre. My side of it is really the emotional story. Can\u2019t you tell? You see me crying so much in the trailer. But I think it\u2019s timely and that\u2019s the only reason he made it. He\u2019s never made a sequel before.<\/p>\n

Is your character fairly strong?<\/strong><\/p>\n

I didn\u2019t want to be \u201cthe girlfriend.\u201d But she runs a liberal website so it\u2019s Anti [Michael Douglas\u2019 character] Gordon Gecko, and of course is going out with Shia\u2019s character, so there\u2019s the whole thing there.<\/p>\n

Did you enjoy working with Shia?<\/strong><\/p>\n

The first time we read together we were so nervous. It was just me and Michael and Shia, and neither Shia and I looked up. You never know how these things are going to work. I\u2019d wanted to work with Shia since A Guide to Recognizing Your Saints. He\u2019s amazing. He was so incredible in that film, and we ended up working together well.<\/p>\n

And so what comes next?<\/strong><\/p>\n

I actually don\u2019t have a job. It\u2019s been hard to make decisions whilst all this is going on because you don\u2019t want to jump into something. I wake up in the morning and spend a half hour trying to figure out what I want for breakfast. I\u2019ve been on so many airplanes! So I need to stop on Monday, take a week off, and then refocus. Two weeks ago I thought I never wanted to be in a movie again!<\/p>\n

Why not?<\/strong><\/p>\n

I did The View, then a photo shoot, and took two red eyes in two days, and went to a critics award show and at some point in the evening my agent came up to me and was asking for the only half hour I had in the next two weeks. And I was home, so I wanted to see my friends and I was like, \u201cDon\u2019t take the five seconds left that I have. I just don\u2019t want to be in a movie! I don\u2019t want to have the responsibility of being a big actress, I don\u2019t want to be on a poster.\u201d<\/p>\n

I was at a press conference and Woody Harrelson was answering questions in front of me and they were asking him what his motivation was, and how he felt about his character. I got up there, and they said, \u201cWhat are you wearing?\u201d And I thought, \u201cThere was a time when I was an actress. Not just someone who wore dresses.\u201d<\/p>\n

I don\u2019t really care that much about fashion, I just have a brilliant stylist who dresses me, and in my own life, I\u2019m pretty simple. So that side of things has been wearing. But then I slept for 15 hours after the Baftas and felt slightly more normal again. I don\u2019t want to become annoying. I don\u2019t want people to think, \u201cOh, her again.\u201d I want to play supporting characters more often than lead roles, and I think that\u2019s where the most interesting parts lie.<\/p>\n

I’ve been thinking you’d be amazing as Lisbeth Salandar in the American remake of The Girl With The Dragon Tattoo. Have you thought about that? <\/strong><\/p>\n

No. I love them, though. But that would be incredible. They just made the Danish version of those. I read those three books in a fortnight. No one\u2019s suggested that yet. I might campaign for it. A lot of the things I get are the quirky girl who wears a Ramones t-shirt and has black eye makeup.<\/p>\n

You seem like a huge reader.<\/strong><\/p>\n

I read a fair bit. There\u2019s nothing nicer than falling into a book but it\u2019s really when I\u2019m working, I\u2019m pretty much reading. There\u2019s nothing else to do on set. I\u2019m trying to find a play to do in New York, but not very much is kicking around. It\u2019s more of a case of trying to pitch myself, unless there\u2019s a new play. With The Seagull, it\u2019s hard because Nina is pretty much the role. So I don\u2019t know. I\u2019m trying to figure that out. It\u2019s really the first time I\u2019m ok stopping for a minute. I\u2019ve been able to chill out. But I don\u2019t want to be everywhere, not assuming that I would. I don\u2019t want to take the responsibility of films rising or falling whether I\u2019m good in them or not. I need a good director. I can see the difference with a director I\u2019ve worked well with and one I haven\u2019t. I\u2019m still learning so much and I still need a steady hand. I want to work with someone who\u2019s going to do as good a job as Lone did. She sculpted an amazing performance.<\/p>\n

And how do you know that’s going to happen?<\/strong><\/p>\n

You don\u2019t. You can\u2019t take someone for three weeks to directing camp and check her out. You have to take a leap of faith, and it\u2019s scary. And this is apart from whether the script is great and the character is great. What if in post-production they let you down? That\u2019s probably why I\u2019m more comfortable in theater: you have more control. In film, there are so many factors where your work can get manipulated from what you thought you were doing.<\/p>\n

I wish I had a genius idea for a play you could do. What about George Bernard Shaw’s Saint Joan?<\/strong><\/p>\n

I\u2019d love to do Saint Joan, I\u2019ve been talking about doing it, but that\u2019s a hard play to get off the ground. I just want to do something that really scares me. I don\u2019t like the idea of rehashing parts I\u2019ve already played, which is what people want to offer you.<\/p>\n

You’re still based in London?<\/strong><\/p>\n

Yes. I probably would move to New York, but there\u2019s no point in me fixing myself anywhere until I fix what the next thing is.<\/p>\n

Maybe Sally Bowles in Cabaret would be a good part for you.<\/strong><\/p>\n

I would love that part. I can sing, you know?<\/p>\n

They should remake the movie with you. Actually that’s a terrible idea.<\/strong><\/p>\n

Terrible idea! Terrible idea! Career suicide!<\/p>\n

\"Carey<\/a><\/center>Words: Marshall Heyman
\nImages: Ben Weller
\nStylist: Grace Cobb<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

We spoke to a pre-Great Gatsby, pre-Marcus Mumford Carey Mulligan about her failing her drama school adution, An Education and the moment it all changed for her.<\/p>\n","protected":false},"author":4,"featured_media":18327,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3632],"tags":[4216,4215,979,3714,106,217,4217],"acf":[],"yoast_head":"\nFlashback Friday: Carey Mulligan | Wonderland<\/title>\n<meta name=\"description\" content=\"Flashback Friday: Carey Mulligan.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.wonderlandmagazine.com\/2013\/04\/26\/flashback-friday-carey-mulligan\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Flashback Friday: Carey Mulligan | Wonderland\" 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