{"id":10563,"date":"2012-08-15T15:15:13","date_gmt":"2012-08-15T15:15:13","guid":{"rendered":"http:\/\/www.wonderlandmagazine.com\/?p=10563"},"modified":"2013-03-12T13:22:36","modified_gmt":"2013-03-12T13:22:36","slug":"emerging-karen-storey","status":"publish","type":"post","link":"https:\/\/www.wonderlandmagazine.com\/2012\/08\/15\/emerging-karen-storey\/","title":{"rendered":"EMERGING: Karen Storey"},"content":{"rendered":"

In an age of Instagram and smartphones, we\u2019re swamped in a constant stream of pictures. So imagine how refreshing it is when a newcomer rips up the rulebook and creates images from a leftfield perspective. Self-taught photographer Karen Storey works with light installations and props to create a surreal environment.<\/p>\n

<\/p>\n

\"\"<\/a><\/p>\n

When did you first start taking pictures?<\/strong><\/p>\n

When I was six I used to take pictures of my figurines in the kitchen sink \u2013 I photographed them with a disposable camera and pretended they were fishes swimming in the bowl. I was 13 when I got my first Canon 35mm and I used to walk around my estate in Mortlake [south-west London], taking pictures. Everyone thought I was strange. I remember these two rude boys came up to me and were like \u2018what are you doing?\u2019 and took the piss out of me. I felt really silly and I didn\u2019t pick up my camera for a long time. But I resumed when I went to college in 2006, took a gap year where I continued to shoot and got into university on the back of my portfolio.<\/p>\n

I\u2019ve noticed in your work that you use unusual props and positioning to create the image. Where does your inspiration come from?<\/strong><\/p>\n

Most of my ideas come from bad dreams. My concepts also come from tired points in time and being on the tube; it can start with someone catching your eye – you observe them and the strange things they might do, then you go away and exaggerate them.<\/p>\n

You\u2019ve shot numerous fashion stories and it seems like you\u2019ve deliberately veered away from conventional routes. How difficult is it not to recreate things you\u2019ve seen?<\/strong><\/p>\n

I have no idea who\u2019s who in fashion. I\u2019ve never assisted a big photographer or anything fancy. It\u2019s very easy to look at other people\u2019s work and be influenced. Sometimes I\u2019ll look at what people in fashion photography are doing and think “I need to get better camera, I need more megapixels, I need to be featured in Vice”. I\u2019ll panic but then I just think I\u2019ll just carry on doing what I do.<\/p>\n

\"\"<\/a><\/p>\n

The majority of photography is based on collaboration, but have you had any difficulties when shooting?<\/strong><\/p>\n

You have to rely on a people to turn up on time – make-up artists, stylists and models. Starting out, the money is non-existent so you\u2019re forever calling in favours.<\/p>\n

What have you been doing to increase your knowledge of light?<\/strong><\/p>\n

I\u2019ve done a lot of freelance work in prop making and helped out in lighting design studios to understand the physical side of light. I did a placement at Cinimod studios in west London \u2013 they\u2019re an interactive installation company. I had no programming or CAD (computer-aided design) skills, but got lucky and spent three months in a room messing about with ice and lasers. But recently, I\u2019ve moved from an interactive point of view to learning about light in a sculptural and atmospheric way at Eva Menz, who specialise in bespoke chandeliers and light installations.<\/p>\n

What have you got coming up next?<\/strong><\/p>\n

I worked on a project with Hush Puppies, and that will be featured on their site soon.<\/p>\n

Is it easy to define the role of the photographer?<\/p>\n

I think it\u2019s become segregated into different things – the physicality of just taking photos and the art directing side \u2013 and I identify with the latter. I like putting together the image that\u2019s in front of the lens. I\u2019m just doing what\u2019s in my own mind and hoping it turns out ok.<\/p>\n

\"\"<\/a><\/p>\n

\"\"<\/a><\/p>\n

\"\"<\/a><\/p>\n

www.karenstoreyphotography.com<\/a><\/p>\n

Words: David Woode<\/em> <\/p>\n","protected":false},"excerpt":{"rendered":"

In an age of Instagram and smartphones, we\u2019re swamped in a constant stream of pictures. So imagine how refreshing it is when a newcomer rips up the rulebook and creates images from a leftfield perspective. Self-taught photographer Karen Storey works with light installations and props to create a surreal environment.<\/p>\n","protected":false},"author":4,"featured_media":10564,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[305],"tags":[2895,1524,559,50,2894,1721,607,495],"acf":[],"yoast_head":"\nEMERGING: Karen Storey | Wonderland<\/title>\n<meta name=\"description\" content=\"EMERGING: Karen Storey.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.wonderlandmagazine.com\/2012\/08\/15\/emerging-karen-storey\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"EMERGING: Karen Storey | Wonderland\" \/>\n<meta property=\"og:description\" content=\"EMERGING: Karen Storey.\" \/>\n<meta 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