Mongolian-British DJ and producer Taiki Nulight discusses his UK tour, sonic sensibilities and working with Grammy winner NERO.
Among the most progressive and potent DJs and producers currently plying their trade in the UK space, Mongolian-British talent Taiki Nulight has a A-list heavy collaboration list—from Chase and Status to Capo Lee—and a growing portfolio of eclectic and expressive musical manifestations. Last year’s “Stay In My Lane” EP was heavy-hitting and free-wheeling, brimming with class and craft, and his releases so far this year have been equally impressive, including a slick collaboration with Grammy-winning electronic dance act NERO, “Innocence 2025”.
Currently embarking on a UK tour, Wonderland catch up with the producer himself to discuss his live show, musical output, and working with NERO.
Listen to “Innocence 2025”…
Read the interview…
Talk us through your production origins?
My journey into music production started at 14 with FL Studio, where I’d remix and edit tracks just for the fun of it—mainly to play at house parties. Not long after, I discovered Logic Pro 7, and it quickly became my go-to platform. I’ve been creating with Logic ever since.
Who and what influenced and continues to influence you to create?
I’ve always been obsessed with early ’90s hip hop instrumentalists—producers like J Dilla, Pete Rock, and DJ Premier, whose work still deeply inspires me to this day. On the electronic side, I’m constantly discovering new artists that push my creativity forward. A few that stand out are Joker, Chris Lorenzo, Chris Lake, IMANU, and Bakey, just to name a few.
How did you settle on your sonic identity? Why is your stylistic habit the one you create within?
While others often say I have a distinct sonic identity, I’ve never consciously tried to define one. If anything, I believe my artistic fingerprint comes through most in how I mix and engineer my records. I don’t overthink the creative process—I just follow the sounds that make my head nod. It’s all about instinct and feel over formulas.
How would you define the essence of you as a producer?
I’d say my music taste. It is fundamentally what influences me both sonically and creatively.
How do you reflect on last year’s EP “Stay In Your Lane”?
The EP was a collection of collaborations, and it’s now my favorite way to create. Every artist I worked with is at the peak of their craft, and I felt honored to stand alongside them.
Your most recent single “Innocence 2025” saw you join forces with NERO. How was that process?
I originally created it as a bootleg for my live shows, similar to my remixes of “Counting” by my mate Hamdi and “Taka” by Skrillex. It quickly caught attention online, and Nero gave me their ultimate endorsement by allowing their name to be attached to it as a single, rather than just a remix.
You’re embarking on a UK tour this month – what are you most excited about for that?
I rarely play in the UK, so having these dates is incredibly special to me. The crowds are different, which makes it a unique challenge I enjoy—getting to build my confidence in front of audiences I don’t often perform for is always exciting.
Has there been a past show that has stood out as the most special? Why?
The Night Bass takeover at Boomtown 2018 will always be a milestone for me—it was the first time I performed in front of 20,000 people. I learned so much from that experience.
What drives your choice of collaborations? Is there one particular artist/producer who you’ve worked with who has stood out as the most impressive?
I don’t collaborate with just anyone, regardless of how big the artist is or what they can do for me. I prefer working with friends, people I truly connect with.
What else have you got coming this year?
I’m obsessed with becoming a better artist. There’s always room to improve my mixing, workflow, and work rate. I’m definitely looking to do more mixtapes and possibly an album—so keep an eye out.
What are you most excited about right now?
Serum 2. That is all
