Alternative pop’s most effervescent singer-songwriter Remi Wolf has built a lane of her own in the mainstream motorway. She returns with “Cinderella”, a stellar disco-tinged anthem that finds Wolf in rip-roaring lyrical form, all musings and dreaminess, atop the genre-dexterous instrumental palette. The new cut is the first teaser into her newly-announced forthcoming sophomore album, Big Ideas, set for release in July.

Undoubtedly one of the global breakout stars of last year, South African singer-songwriter Tyla looks set to augment her newly-found acclaim with the unveiling of her self-titled debut album. The incepting project, which features viral hits like “Water” and “Truth Or Dare”, merges amapiano, afrobeats, R&B and pop sensibilities, with the GRAMMY-nominee marauding her songwriting prowess and dazzling vocality.

Brit Award nominee Kenya Grace has transcended her bedroom productions and found herself as a key player in the UK dance space. She’s released “The After Taste”, a new project that sees Grace stretch her artistic wings, exploring in depth the fallout of a relationship, full of post break-up ballads and cross-genre musical tapestries.

British Asian sibling duo Wasia Project are back with their first release of the year, “Is This What Love Is”, a song as cinematic as it is subtle. Fast becoming one of the most interesting acts around, the pair dive into the broadest emotion of all of the new cut, love. The track question, describe and immerse, visceral and vivid, with the duo delving into themselves whilst remaining distinctively relatable.

A champion of underground R&B, Humble the Great has built up a stellar reputation as a producer over the past few years. More recently he’s stepped into a solo artist’s shoes, today sharing his debut EP, “every night was the same”. The project is highly impressive, excellent in its productions and storytelling, with a terrific feature list that includes Havelock, Amie Blu and Kamal..

Highly creative Peckhamite Sam Akpro delivers a new cut, “Disposition” and it’s perhaps his strongest to date. Somehow simultaneously punk-infused and groove-laden, it’s a haven of textural progression, with Akpro savvy in his vocal approach to the ambitious instrumentation. Arguably overlooked within the grander scope of alternative music, it’s about time Akpro got his flowers.

Long Beach’s hip-hop crooner Seafood Sam continues his rise within contemporary US rap with another silky-smooth slice of nonchalance. “Pearly Gates Playlist” finds Sam focused yet casual, riding a classic, giving production with ease, bringing his best pen game to the fresh number.

“Great things come to those who wait,” Metro teased us on his Instagram two weeks ago. And now, we know he was right. Future and Metro have finally released their highly-anticipated joint album, WE DON’T TRUST YOU, and it’s a whopping 17-track-long offering. Arriving two years after the two artists’ 2022 solo albums — Metro’s Heroes & Villains (which featured Future) and Future’s I Never Liked You — it is not the first time that these collaborators have joined forces. And, luckily for us, they’ve already assured us it’s not the last.

The man putting Reading rap on the map, one of the UK underground’s most consistent players Songer is back with yet another heater. Plucked from his forthcoming album, The Price Of Therapy, “WIDE AWAKE” is a sharp stylistic switch for Songer, which comes as no surprise from one of the ambitious spitters in the game.

Having exploded onto the global music space with their enigmatic visual identity and captivating and unique sonic approach, Glass Beams have swiftly risen to one of the most promising and unique acts around. They today unveil their highly anticipated EP, “Mahal” an intricate, expressive and enthralling musical journey that shows the hype around them is well warranted.

Bolton beatsmith Interplanetary Criminal has been lurking in the depths of underground electronic music in Britain for a while now, but after his big breakthrough with Eliza Rosa on “B.O.T.A”, now sits as one of the most sought-after new wave DJ and producers around. He’s back with “Races”, a monstrous track that needs to be heard to believe, enlisting rap trailblazer Blanco for a slick turn in the process.

There’s something undeniable about a quintessential British band, and Welly are just that. The new five-piece have released their debut single, a snappy, Britpop inspired cut with danceable rhythms and tongue-in-cheek lyrics aplenty. Think Blur’s “Girls & Boys” with a modern twist.

Parisian musician and creative Crystal Murray has announced her debut album, SAD LOVERS & GIANTS, and shares a single from the new project. “STARMANIAK” is full-throttle and dripping in theatrics, whether in Murray’s delectable vocal performance, the narrative-driven lyricism that highlights the struggles of womanhood in modern society, or the moody, atmospheric instrumental.

Liverpudlian four-piece Monks are making the most exciting music of their career. Leaning further into techno and electro-tinged sonics, the band deliver “Welcome Home”, an immersive and impactful track about the importance of family love. The exciting act will be sharing a statement body of work in the coming months and we can’t wait!

Northwest London rapper Arz has become synonymous with a romantic and laidback approach, and continues to refine his craft and push the sound on “Long Time No See”. Gearing up for his next body of work, Arz recruits UK underground rap’s premium producer, El Londo for a hazy sonic palette that the rapper slides atop, delivering his introspective goods.

Zimbabwe-born, Hull-based creative Downtown Kayoto has just released his latest R&B-infused single “Came Thru”, speaking to the power of cultural impact, and DK’s ever-evolving growth as an artist and creative. The smooth topline floating above the self-produced percussive bed continues to shape an alternative R&B sound he’s fast becoming known for. With steamy, 00’s grooves — inspired by the likes of Timbaland and The Neptunes — providing glossy pockets for his vocals to dance between, and a Joe Howat-directed, Shanise Liang-choreographed official music video to match, “Came Thru” acts as a standout reminder of the rising talent’s skill in crafting a sense of nostalgia and vulnerability, whilst planting himself distinctly in today’s sonic landscape.

As British guitar music continues to flourish within the realms of experimentation, band’s with enormous potential are emerging at a quickening pace. One of such acts, Mewn, are proving themselves to be masters of art-indie sensibilities. Their new track, “Ask Me Now”, taken from a forthcoming EP, is a sprawling 7 minute extravaganza. To listen to the track is a journey within itself: expect the unexpected.

Rising Slovakian alt-pop songstesss Karin Ann has announced that she will be releasing her debut album, through the telescope, in early May. The news comes with much excitement, only bolstered by the release of “false gold”, a glimpse into the upcoming project. Part bedroom-pop, part folk, it’s a gentle but anthemic track that tackles self-discovery and regret.

Newcomer I Am Roze has barely released, and yet as found fans as far ranging as Fred Again.., Summer Walker and Ghostface Killah. With a debut EP on route in late April, Roze shares a fresh cut, “Who I Am”, a gorgeous pop number about celebrating individuality and identity, also enlisting Brye for a serene feature turn.

Laced with warm, psychedelic textures, KC Clarke’s new funk-infused cut “Spaceships” opens space for his dream-like cadence to shine with intimacy as colourful vibrations transport us into the South East Londoner’s creative and ethereal mind – a complex area exploring true love and the endless chase that leaves us in a state of wonder. With his hotly anticipated debut EP up next, KC Clarke’s effortless delivery is quickly defining him as standout.

Hackney-raised alt-hip-hop artist Kwoli Black unveiled a new chapter in his artistry this week with the 6-track project “Can I Speak?”. A collaboration with singer-songwriter Karl Benjamin and South London enchantress Bina, the project is described as an ’emotional catharsis’, drawing inspiration from the likes of Tyler, The Creator, Kojey Radical, and Loyle Carner. The project’s title track also comes accompanied by a music video, which he reflects on as “a satirical take on how therapy feels. The pervasiveness, the awkwardness, and discomfort that comes from having to address what you’re feeling and the trauma you’re facing. The video shows what healing is about – discomfort (talk show), catharsis (spotlight scene), and eventual joy to come (70s disco scene),” he says.