Step into the sonic wonderland of Jonsjooel, the newest and most exciting artist to hit the music scene. With a debut single “Noise I,II,III”, Jonsjooel is making waves with his unique blend of genres and influences.

A Finnish artist and composer, Jonsjooel has a diverse background in music that shines through in his experimental sound. Known for his work as the frontman of Lake Jons and for his compositions and production for other artists, Jonsjooel has already established himself as a versatile and original musician. Drawing on his roots as a jazz drummer, Jonsjooel’s music defies easy categorization, creating a captivating and dynamic soundscape.

But Jonsjooel isn’t just stopping at his debut single, he’s also set to release his debut solo album, Lullabies For Younger Self in 2023. With this upcoming album, fans can expect more of Jonsjooel’s signature blend of emotion and experimentation. Keep an eye out for this talented artist, as he’s sure to take the music world by storm.”

Head below to find out more…

Jonsjooel, can you tell us about your background in music and how you got started in the industry?
I’ve been playing instruments since I was a little boy. My father is a viola player so my childhood music was mainly classical. I’ve had this strong urge to make music since I was a teenager so it’s hard to tell how it started. It feels more like I’ve been going towards music my whole life. It’s my passion and kind of obsession.

Can you talk about the inspiration and creative process behind your debut solo album, Lullabies for Younger Self?
I started making this album as a collection of feelings that I wanted to somehow deliver to my younger self. I created a space where I could be completely liberated and spontaneous, and have as few disruptions as possible. Of course, that’s the state I aim to be in any way but this time the process felt more genuine. Maybe it’s part of personal growth? I composed and recorded the whole album in my apartment in Helsinki.

How would you describe your unique sound and what influences it?

At the moment it feels like a mixture of feelings and rhythms influenced by nature, humans and beer.

How does your jazz drumming background influence your music?

Drums are the best instrument in the universe. I tend to observe things through rhythm. I’ve had an intense period of studying drums in different genres, especially in jazz. I guess all parts of life have an influence in everything you do. The more intense or meaningful, the bigger impact, right?

Can you explain the meaning behind your debut single “Noise I,II,III” and how it sets the tone for your upcoming album?
Some call it music but others might call it noise. Just like how we listen to the world. Words don’t have a purpose outside of humankind and realising this could help us find different ways to comprehend sound and our connection to other things and beings. “Noise I,II,III” was a natural choice as the first single because it feels like a window to the whole album.

How do you challenge traditional genre categorisation in your music?

For me composing music is like an adventure and if you choose conventional paths you rarely find anything adventurous. By trying constantly to find different and new ways of expression you most likely find yourself somewhere unknown. And maybe, if we’re lucky, in a magical place.

Can you discuss the connection you see between sound, humankind, and nature in your work?
I believe music is the purest form of emotion as well as an opportunity to connect on a deeper level with fellow humans and nature. Through sound, we might be able to grasp something deeper that we otherwise can’t reach or understand.
I like to wander in the forests a lot and by default, I draw inspiration from nature. I hope I can contribute to building more sympathy for our surroundings with my music.

How do you encourage listeners to consider the meaning and connection in sound through your music?
Staying still for a song or an album and trying just to be and listen. I can only hope my music encourages to do that.

How does your experience as the frontman of Lake Jons compare to your solo work?

Lake Jons has been around for a while now. It started as my solo project but has evolved into a more collective thing. Jonsjooel is a clean slate for me and a chance to explore in solitude.

Can you talk about your experience composing and producing for other artists and how it has influenced your solo work?
I feel working with other people you need to have a different mindset as you’ve got a different framework to begin with. At best it’s a telepathy party but it can also be full of compromises like many times in relationships. Either way it can open totally new horizons. Working with others can be also a place to grow and become more aware of what you really want to do and how. But just be careful not to lose your own path.

How do you evoke emotion in listeners through your music?

Music is pure emotion for me, so maybe it will awaken something in others as well.

Can you discuss the creative process behind your upcoming album and what we can expect from it?
For me composing is a really spontaneous state. I try to avoid reasoning as much as I can and just to find different ways to weave this emotional garment. We can expect it to be a diverse album.

How does your music encourage listeners to listen more carefully to the world around them?
I hope my music has succeeded in finding something new, adventurous and meaningful so that it can guide the listener to be more present and more receiving towards the universe.

Can you tell us about any future projects or collaborations you have in the works?
More music.